In Shining Armor – by Elliott James (Review)

Pax Arcana #4

Urban Fantasy, Supernatural

Orbit; April 26, 2016

424 pages (PB)

3 / 5 ✪

Carry the Story, Check its Baggage

In Shining Amor stars Harry Dresden and Taylor Lautner knockoff love-child John Charming. Fresh off the events of Fearless (or was that Daring?), which found Charming the godfather of Constance, knights and werewolf daughter alike, In Shining Armor finds her a captive—I suppose because James needed a new book idea and went with his very first thought.

It’s been a few months since John and Sig got together. Charming, being his usual optimistic self, has spent this time automatically assuming something will go wrong. Eventually, you’d have to assume he’d be right. The kidnapping of his goddaughter certainly qualifies. And yet the intriguing part of this is that although her abduction is the initial selling-point of this book, it’s not the all-encompassing story that I assumed it’d be.

No, instead of Constance, In Shining Armor has more to do with her absence. In particular, what her absence means. For when everything points to her abduction being an inside job, the two factions behind her protection start pointing fingers. Mostly at one another. And when the tenuous alliance between knights and werewolves begins to decay, a war is brewing.

Though not the war you’d expect.

The worst part of this was book was the relationship between John and Sig. Seriously, they were really annoying. Really, REALLY ANNOYING. I mean, the casual, witty, sarcastic banter was cute at first. Entertaining, even. But to read it throughout the entire book got old very, very quickly. Especially as it seemed to bleed into every single conversation. The group gets ambushed and almost killed? Witty banter underscored with sexual tension. Our heroes battle for their lives against an ancient, unknown foe? Witty sexual banter. Trying to figure out who wants to start a war and why? Sarcasm and banter mixed. An old ally, a new enemy, any bit of mystery or any kind of planning? Sex. Sarcasm. Relationship. Drama.

It all reads like a guide to Sig and John’s relationship, with the actual plot a simple undercurrent to it. Which is too bad, because the actual plot is pretty solid. Wasn’t what I expected, that’s for sure. The abduction of Constance is too obvious, too quick. The war, the misdirection, the rest—it’s really quite entertaining. Like, a 4.5 or higher story. And yet everything seems to distract from it.

The action is… actiony? I mean, it seems to be added specifically because the author thought there should be action. Because he wanted his characters (semi-action hero-y in the past), to be total Action Heroes. The first fight scene blends pretty well into the background of the tale. From then on, it seemed the fights were just an addendum to everything. Violence for the sake of violence. Now, as a guy, I love a good violence every now and then. You know, 300, explosions, kung fu, Braveheart, All For One and that kinda thing. In Shining Amor reads kinda like a mystery covered in a bunch of sticky notes. Through these, James tries to flesh out the characters, the action, the romance, the development and everything else he thinks the text needs. All the while the real story sits buried—perfectly good in its own right. It really tries to be too much. Could be a romance (well, maybe a casual chick-flick), just cut the action. A thriller, just get rid of the John-Sig affair. A mystery, or paranormal fantasy, just stop trying to add everything else.

TL;DR

In Shining Armor tries and tries, just in the end it tries too much. Its fantastic story is buried beneath heaps of romance and action and thrills that don’t really work. And certainly don’t go together. The dialogue is disgusting and annoying, especially once you get into it. The action is your basic fight-scene, copied and repeated throughout. The story is pretty amazing, by itself. In the end, In Shining Amor is a pretty good read, without all the fiddly bits. It really is. I recommend it, just don’t take it too seriously. Skip over some of the dialogue, some of the fight scenes, some of the sex. It becomes a shorter, much more entertaining adventure, mystery, and experience.

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