Fetch Phillips Archives #1
Dark Fantasy, Mystery
Orbit Books; February 25, 2020
368 pages (ebook)
4.0 / 5 ✪
I was kindly furnished with a copy in exchange for an honest review. Many thanks to Orbit and NetGalley for the ARC!
Fetch Phillips has been called many things in his life, though few worse than those he calls himself. He was born nowhere, a settlement that was soon reduced to even less. The sole survivor of the massacre, Fetch was taken in by Weatherly—a human city that wanted nothing more than forget the magic outside its walls. And for much of his young life, Fetch tried. Tried, and failed, to forget the magic. To forget what he’d seen, what he’d heard, what fate had claimed his family. In Weatherly he had a new family, new kin, and a place that he’d never wanted. But in the end, he couldn’t escape the call of the magic—and left Weatherly behind, en route to Sunder City.
Much has happened since then. Too much, for Fetch’s reckoning. He still calls Sunder City home, eking out his living amidst the magical creatures and humans alike as a Private Eye—one available to the magic community only. Or should we say the FORMERLY magical community. For, several years after Fetch’s escape from Weatherly, the magic in Sunder—in the whole of creation—died. But the monsters remain.
Edmund Rye is a teacher at the first school for all the descendants of the formerly magical. Ogre, gnome, elven children rub elbows and play tag with goblins, kobolds, sirens, and dwarves. The professor is a delight, fully committed to his work, the future, and the students themselves. That is, until recently when Rye disappeared.
Enter Fetch Phillips, Man for Hire, contracted to find the professor and if possible return him to his duties. But the deck is stacked against him. For the professor is a member of the Blood Race—a vampire. Of course, when the magic died, the vampires lost their thirst for blood. Except that maybe, somehow, Rye’s has returned. Or maybe he’s just dead, rotting in a ditch somewhere. Phillips doesn’t care—he gets paid the same either way.
But when a young siren girl—and Rye’s prodigy—turns up missing as well, Fetch’s life complicates further. For as little as he cares about Rye, the girl has untapped potential. Something Fetch himself is fresh out of. Maybe something he never even had. And as he begins to give a damn about the case, several inopportune things happen. The ghosts from Fetch’s past begin to turn up in the present. And things that should’ve remained buried come to life. And though the magic is well and truly dead, hope is not quite gone, and neither is Fetch Phillips.
‘ Maybe nobody gets better. Maybe bad people just get worse. It’s not the bad things that make people bad, though. From what I’ve seen, we all work together in the face of adversity. Join up like brothers and work to overcome whatever big old evil wants to hold us down. The thing that kills us is the hope. Give a good man something to protect and you’ll turn him into a killer. ‘
A life without hope is no life at all, but a desperate hope is little better. For a person who has lost all hope is nothing but predictable, but a desperate person is completely unpredictable. And unpredictability begets chaos.
The Last Smile in Sunder City is the fantasy debut from Black Sails actor Luke Arnold. And it is—as you may’ve guessed—a story of hope. Set in a dark but beautiful world, Sunder City is an amazing, if depressing setting. Arnold fills the pages with history and lore, both before and after the death of all magic—filling the story with a sense of desperation, and of hope.
Now where the world-building is pretty solid, the story is somewhat blah. It’s not bad exactly, just straightforward. The mystery itself wasn’t too deep or inventive, and I sometimes lost track of things when Arnold attempted to set the scene. These glimpses into the history of the world were interesting, but ultimately distracted from the plot itself. Where an open world full of side-quests may work well for an RPG, it doesn’t really work for a book. Additionally, sometimes Fetch takes unbelievable leaps in his logic, relating two or more clues that don’t appear to add up.
A deliciously dark setting, combined with a story of hope and hopelessness, make Last Smile a must-read for any fans of dark fantasy. Indeed, I found a world recently relieved of its magic to be an unique and immersive setting, particularly as the main character has his own history surrounding the event. Not only did the Coda cost the world its magic, but it cost Fetch Phillips more than a little bit of himself. The effects that the loss has on the world’s formerly magical inhabitants proved as fascinating as they were horrible, from death and disfiguration to hopelessness and despair. The effect upon mankind were much less severe, with only those few wizards and witches affected by the loss, but now humans are universally loathed for their part in the Coda. A part that you can read about in the book (I’m not giving it away).
While I’d definitely recommend the Last Smile for its world and setting, if nothing else, I must admit I had one notable issue with it. For the life of me, I couldn’t figure out what era this world was set in. Likely because Arnold has just made up something all on his own; a world that had little need for innovation or technology before the magic left. And yet, there’re things like phones and hospitals and automobiles and police, but no guns or radios or the like.
Set in a dark and dreary world newly devoid of magic, The Last Smile in Sunder City is a solid four star debut from actor Luke Arnold. While the main mystery leaves something to be desired, the journey of Fetch Phillips more than makes up for it. At times seemingly random and disoriented, this amalgamation of history, mystery and lore bespoke of heart, redemption, and—more than anything—hope. And in a world of darkness, even the smallest spark can give light to an even greater hope, no matter how unlikely it seems.
The Fetch Phillips Archives continues with Dead Man in a Ditch, due out October 6, 2020.