Fable Duology #1
Wednesday Books; September 1, 2020 (US)
Titan Books; January 26, 2021 (UK)
361 pages (ebook)
3.8 / 5 ✪
I was kindly provided an advance-copy of the book in exchange for an honest review. Many thanks to Titan Books and NetGalley for the ARC! All opinions are my own.
As the daughter of trade magnate Saint, Fable once enjoyed a childhood of love and adventure. With her mother and father, she sailed the Narrows and Unnamed Sea, learning the skills of trading and dredging that Fable once hoped would earn her a place by her father’s side when she came of age.
That all changed the night her mother died.
The next day Saint abandoned her on Jezal, an island and pit of thieves, murderers, the desperate and unwashed. In their final moments together, he told her to survive and seek him out, to trust no one and never make herself beholden to another ‘man. Then—after dragging a knife through the flesh of her arm—he left.
Fours years later, Fable still hasn’t seen her father. She still lives on Jezal, but not for much longer. Using her unique and inherited skillset, she nearly has enough coin to escape the island, and claim her place at Saint’s right hand. But to make this dream a reality, first she must make her way across the Narrows to the mainland. Which forces her to place her trust in an ambitious young captain and his ferociously loyal crew. And even if Fable is able to cross the sea without incident, the dream she’s held to for so long may not prove the reality. But that’s a chance she’s willing to take.
“ You were not made for this world, Fable. ”
This is the story of Fable, pure and simple. It’s not really a dip into a bigger world that’s going to appear in later books (minus the second half of the duology), not is it a story of adventure itself. One of the main complaints I saw beforehand was that there wasn’t enough swashbuckling, action, or tangible fulfillment. And yeah, this is all pretty much true. But the story I was sold on was that of a girl herself, lost in a grander scheme, a grander world, one that she is desperate to find her place in. And with that as a premise, Fable did not disappoint.
Specifically, I found the book boiled down to three major points of emphasis: Fable’s relationship with her father, her place in the world around her, and her growth as a person.
Fable’s relationship with her father is the most tricky. While I won’t go deep into this because of potential spoilers, I could write my entire review on her… (I absolutely hate the term “daddy issues”, but) well, you know. She remembers her childhood spent with her parents aboard the Lark as seen through a rose-tinted glasses. She was happy. Her parents were happy. Life was perfect. Until her mother died.
Her father closed off, scarred her, then abandoned her in a pit of thieves. To say she loves him would be accurate; to say she hates him would be accurate. To say she seeks his approval is also true. It’s certainly complicated, and Young devotes a lot of time to this relationship.
Fable’s place in the world around her is another important aspect of this book. I think that all of us at one time or another struggle with this. Who we are, how we fit, what role we have, what our future holds. It’s something that I’ve yet to come to terms with in my own life. And it’s something Fable is constantly challenged with in hers. Is she a thief? Is she a dredger? Is she a daughter, a lover, a friend, all of these, none of them, more? I’d say this is something that helps humanize her, makes her feel real, more than just a character in a book. It’s not a perfect depiction, to say the least, but it’s done well enough.
Fable’s character development is my third important point, and I’m just going to gloss over it. It’s… there IS development, but it seemed to me it all came too quickly, with no sense of fulfillment. She went from being distrusting, sour, and somewhat badass to swooning and trusting, seemingly overnight. Additionally, there was a romance attached to it, which didn’t feel romantic—minus one or two brief moments—and didn’t really feel real. It’s the same kind of love-at-first-sight story featured in the other Adrienne Young book I’ve read, The Girl the Sea Gave Back. I didn’t buy it there, either. The one in Fable isn’t nearly that bad, but not infinitely better.
Fable is quite literally the tale of Fable, daughter of a big-name trader, cast off on a lawless island hell and told to survive and seek out her father if she manages to escape it. As a tale of a girl growing up and finding her place in the world, Fable is a huge success. As a romance or swashbuckling adventure, it falls a bit short. I mean, there’s certainly adventure, but not a ton. There’s certainly a romance, it just sucks. Not much swashbuckling, though.
I really enjoyed Fable as a fable about Fable. It’s about a girl in search of her father, but moreover searching for her place in the world. There’s a lot to relate with there. It’s an experience, and tells a good and enjoyable story along the way. Fable even introduces a few twists and turns I didn’t see coming. I never had any problem reading this, and thoroughly enjoyed my time doing so. I’ll definitely read the followup, but only hope that the romance has been fixed in it.
Namesake—the second and final book in the Fable Duology—comes out March 16, 2021.