Delain: End of an Era

Delain has been one of my favorite bands since I discovered them back in 2008. They inhabited the interesting genre known as symphonic metal, which combines the raw sound of metal with classically gothic vocals. Formed back in 2002 when Martjin Westerholt left Within Temptation, Delain started as a solo project where Westerholt collaborated with different musicians to produce his demo. Then in 2005, he met Charlotte Wessels, and the pair became the framework for Delain. Sixteen years, six full-length, and two EP albums later and Delain is once again becoming a solo project, as everyone but Westerholt has departed the band to pursue other avenues. It’s incredibly disappointing, but I know people have to live their lives how they see fit. I just can’t help but feeling that 2020 hath claimed another victim. While fans have been repeatedly reassured that everyone from Delain will remain in the music industry in some form, I can’t help but compare this to the last great disappointment in symphonic metal when Manda Ophuis left Nemesea in 2016 (granted, she left to pursue her passion of working with special needs children, so it’s kinda hard to fault that).

Hunter’s Moon is also probably my favorite piece of album artwork, though I can’t tell you exactly why.

For the following six days, I’m going to be posting a brief on each of their six albums, along with my favorite song (or two) off them. So if you don’t enjoy this first post, maybe just skip the next six, eh? I won’t be offended—promise.

Hunter’s Moon was an EP (extended play) released in 2018. It featured four brand new, unreleased songs, along with ten additional live performances of existing songs. The following is one of my favorite tracks from the album. Later, there’s Invidia, off the extremely popular April Rain album.

2 thoughts on “Delain: End of an Era

  1. This one’s new to me. I have a small amount of what I think would be considered older symphonic metal but haven’t listened to much of it recently. I really enjoyed Invidia. I enjoyed Hunter’s Moon, as well, but that one had me worried the group might include more harsh vocals on some of their songs which I rarely enjoy, though it was pretty short and mild in this song. Sometimes I’ll get into brief periods of harsher vocals, I love Disturbed, but other times it doesn’t work for me, so far I can’t get into Jinger. But I love trying new music so thanks for introducing this!

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