After last weekend’s review of Smoke and Ashes, I thought I’d do the Wyndham and Banerjee Mysteries on this week’s BWoB, as many feature quite pretty (or if not, interesting) covers. While a few I find disappointing—for they seem to cast Colonial India as a drab (which it wasn’t), depressing (which it very much was, depending on who you were) place—through their use of unflattering yellows and browns, in general it’s a bunch of lovely covers depicting an even lovelier series. And I do so love when a good book is matched with an equally good cover!
A Rising Man
I have no idea who did any of the cover art for these, so if you do please do let me know. As much as I love both the first two, I hate the 2020 release from Vintage enough to make up for that. I won’t go into the reasons why—I just don’t like it. The 2016 Vintage is probably my favorite, but the Pegasus is a close second. This is the only book in the series I didn’t prefer the Pegasus covers on.
A Necessary Evil
I had to uncrop this specifically to get the flowers to show. So they won’t match up, something that is kinda driving me nuts. But the addition of red blooms here to break up the green and brown of the jungle is what makes this one of the loveliest covers in the series, in my opinion. While there’s nothing wrong with the opposing cover, the Pegasus one features a character shrouded in the shadows of the jungle around him, something that lends itself directly to the lead’s experience in the text.
Smoke and Ashes
The most recent book in the series I’ve read is always my favorite to date. But—other than possibly the most recent Shadows of Men—I’d say it has the blandest covers. Though the smoke and indistinct shadows of the Pegasus copy did relate very nicely to the actual text.
Death in the East
The strongest covers of the series feature in Book #4—Death in the East. I’m not sure which one I like the most, and that’s okay. They’re all good, and all for the enjoying! While I’ll probably never own this in physical form, ideally I’d like to have all three of these covers (provided I also had somewhere to put them).
The Shadows of Men
The most recent release from Abir Mukherjee finds Wyndham and Banerjee traveling to Mumbai (Bombay) investigating a murder. Here, both covers go for the same stylized arch, the so-called “Gateway of India” (yes, I had to google the name). The background colors are a little different, but neither instills any real feeling of hope. One feels very much overshadowed by dread (at least that’s what I think of when I see the red and black clouds like wildfire), while the other’s drab overtones speak more of hopelessness.
My favorites here by far are the Pegasus covers—the shadowy figure, the cursive text done in an opposing color, the use of color and light. What do you think?