Ace Books; May 11, 2021
380 pages (ebook)
11hr 37m (audiobook)
4 / 5 ✪
Jessamyn Teoh is fresh out of Harvard, and the world is her oyster! Realistically though, she’s got just about nothing—no waiting job, no place to live, a mountain of student debt—and so decides to move back to Malaysia with her parents, where she hasn’t lived since her parents immigrated to America when she was a toddler.
But Malaysia may not be the clean start she was looking for. Here, Jess is still broke and unemployed, living with relatives who condescend to her, and a state that condemns her for the way she was born. Not that her girlfriend would ever visit her here. Malaysia is one thing, but what would her family say? Jess is still very much in the closet, although her very supportive girlfriend wishes she wasn’t. A girlfriend she rarely gets to see and talk to, done entirely over video chats and messages in the dead of night.
Her life can’t get much worse. Or so Jess thinks.
…Until she starts hearing voices. Voices claiming to be the manifestation of her dead grandmother’s spirit, speaking to Jess as their medium. In life Ah Ma was the medium for the mysterious and powerful minor deity known as the Black Water Sister, but in death she is a powerful spirit with a grudge—one that just happens to be against a gang boss and his family.
And now this grudge is Jess’s also, drawing her deeply into the world of ghosts, gods, crime, and secrets, any one of which would be enough to get her killed. But while she begins to gain attention from all the wrong places, Jess is willing to admit that it’s not all bad. At least she has a purpose, a place, something to do with her time—at least until she catches the Black Water Sister’s eye.
Moving to Malaysia may not have been the best choice.
Black Water Sister may be an inspirational read for any number of reasons—it features a gay protagonist living in a society that is incredibly against that sort of thing; it’s a coming-of-age, or finding-ones-place-in-the-world kinda thing, something that very much appeals to so many, regardless of age; it tells the tale of a culture, history, and point of view that maybe you weren’t used to—but it’s very much not because of the overwhelming positivity and support. This isn’t what I would call a “bright and sunny” read. It’s quite dark in places: with murder, violence, language, not to mention an attempted rape scene.
While Jessamyn’s orientation begins as just a detail amidst the larger plot, more and more I felt it attempt to take center stage, as Jess struggles to hide who she is from her parents and friends, all the while suffering the strain that this puts on her relationship with her girlfriend. In fact, this adds more and more tension to the overall plot approaching the end, but sadly leaves us without any true resolution come the conclusion.
If you came for the gods and ghosts, the good news is you’re likely staying for them. The story is interesting, turning to entertaining and fast-paced once it gets going. The setting—Penang, Malaysia—is as varied as it is vivid; not to mention an exotic setting that you might not have heard of. Penang has been called the Silicon Valley of the East, and is representative of a liberal and culturally diverse Malaysia, if there even is such a thing in this secular Islamic state. I loved the depiction of the various temples and gods, the underworld and its outward veneer.
But it’s how Jess relates to the country that really sells the story. While she hasn’t lived in Malaysia since she was a toddler, since her parents emigrated from the country in search of a better life for their daughter, Jess has been back. A few times, for visits. But visiting a place and living there are two entirely different experiences. And it’s how she explores these experiences—as a native Malaysian who left, received an Western education, was dosed in “liberal, global culture”, and returned—that affects how the story is told. I quite enjoyed all of it: from the ghosts and gods, to the gangs and underworld; to her parents’ struggle to reconnect with their previous livelihoods; to Jess’s own to establish herself, discover the person she is, to live and to grow, all the while struggling whether or not to come out to her parents, to her family, to legitimize her girlfriend and their relationship. It’s quite the tale, quite the book.
Black Water Sister is a tale of love and acceptance, of hope and defeat, of darkness, death, and growth. Of understanding one’s place, and finding one’s way in the world. There are also gods and ghosts. A gay lead who is very much in the closet and determined to stay there, while her very supportive girlfriend wishes she wouldn’t. It’s about cultural diaspora—of a native daughter returning home only to find it so far from where she remembered. It’s about the past and one’s family—of how blood is blood and kin is kin, but sometimes their actions fade and should be forgotten while others should be remembered above all else. Black Water Sister is a story about a daughter’s quest for acceptance. A girl’s journey to become a woman. A woman’s quest to find what she wants out of life, of who and what she wants to become. While it’s not a perfect story, so little is in this life. Black Water Sister tells a human story of a very human girl/woman (albeit one who can talk to/see gods and ghosts). I’d definitely recommend it to anyone, but especially lovers of paranormal, supernatural, fantasy, urban fantasy above all else.
Audio Note: Catherine Ho does an excellent job bringing Jessamyn Toeh to life! There were a few minor missteps, but I’d chalk those up to being “how do I relate this feeling simply through words” rather than anything the narrator could’ve improved on. I read Black Water Sister as an audiobook in just under three days, and cannot recommend it in this format enough! I can’t wait to see more of Zen Cho and Catherine Ho in the future!