The Bladed Faith – by David Dalglish (Review)

Vagrant Gods #1

Fantasy, Epic

Orbit; April 5, 2022

470 pages (paperback)

GoodreadsStoryGraph
Author Website

8 / 10 ✪

I was kindly granted an advance copy in exchange for an honest review. Many thanks to Orbit for sending me a lovely physical ARC! And additional thanks to David Dalglish for taking the time to chat with me a bit more about it! All opinions are my own.

How did one weigh one atrocity against another?

According to David Dalglish, this is his 20th novel (something I’m not going to measure or question at all and just go with)—and what better way to mark the occasion than with a review…? Okay, okay, I guess I could’ve got him a gift or something. Might have to, after this goes live. Because while I did quite like the book, it wasn’t quite the adventure that the Keepers was, nor the chaos of Shadowdance.

But we’ll get into that later.

When Prince Cyrus was twelve, the Everlorn Empire came to his shores. A quick and decisive battle later, his fleet was demolished, his city burned, his gods defeated, and his parents killed. Taken prisoner to legitimize the Empire’s rule, for two years Cyrus was paraded about as the captive prince, until the execution of his gods gave him an opportunity to escape.

Now, holed up in the Thanet countryside, Cyrus is given his one chance to strike back at the Empire that took everything from him. The fledgling resistance—such as it is—needs a figurehead to legitimize their cause, and the former prince is perfect for the job.

But, his road to revenge isn’t to be an easy one. For while the island needs an heir, the path to freedom is not paved with diplomacy. Not entirely, at least. Instead Cyrus is secretly trained to be a killer: a god of blood and fury, wielding twin sabres and hidden behind a skull mask and cloak.

The Vagrant rises to protect Thanet, and to see its invaders to the shores.

But not all is as it seems. Cyrus’ god-given right to rule is not as solid as he once thought, and the mantle of the Vagrant isn’t the heroic role he imagined. Soon he will discover the real weight of his duty—and the price of his vengeance.


“You took from me everything I loved. My parents. My kingdom. Even my gods. I can’t unmake the loss, but I can make you hurt. I can make you afraid.

“And you will come to fear me, monsters of the empire. You will fear the Vagrant Prince when he comes to reclaim his crown.”

He lowered his swords. A smile cracked his stern expression to match the one on his mask. He laughed to himself, mood unable to remain serious for so long.

“Hopefully.”

As tales of vengeance go, the Bladed Faith is the start of a pretty good one. An impressionable boy willing to do whatever it takes to avenge the deaths of his parents, his gods, his kingdom. Willing to kill for Thanet’s freedom, even at the expense of his life. But the deeper he goes down the rabbit hole, the more he questions it. The more he learns, the more it haunts him; the lives he’s ended, the path he’s taken, the secrets he’s found. There’s a very real sense, throughout the book, that Cyrus is keeping it all together through sheer force will, maybe bound by scotch tape and bits of string. His mental heath is way past questionable even before he was imprisoned by the invaders that destroyed his whole world. That he’s just going to come to pieces at some point, some point soon. And the secrets that he learns—I mean, I can’t give anything away here, but it sets up an epic conclusion, one I truly did not see coming.

And while it’s great to see an author address the health and stress and mental battles coming with killing so much (and that becoming a “heartless killer” isn’t something that a person can just turn on and off with no repercussions), I would’ve actually liked to have seen a bit more of it. Let me explain. When you really get into it, the Bladed Faith boils down to two key aspects: fight scenes, and the exhaustion that comes after. I mean, yeah, there’s some set-dressing, some political intrigue, some world-building and lore and whatever else. But the key moments—especially after the halfway point—boil down to the fight, and what follows it.

It’s really hard to complain about the fight-scenes. It’s not like some books where that’s all there are, or others where they are too few and too far between. Plus Dalglish writes them so well! There a good amount of battles, scraps, prowling rooftops, ambushing soldiers, screwing up and having to fight their way out. When the battle is raging, the battle-lust is high. But when the red leaves their eyes—especially for Cyrus—the aftermath is near as intense as the actual fight. That said, it feels… incomplete, somehow. See, there’s usually a cutaway between the fight and the exhaustion that follows. A break in the narrative that occurs just at that point where it goes from “kill kill kill” to “what have I done?”. I think that’s one of the reasons it never felt really fulfilling to me. The other being that none of Cyrus’ heartfelt moments after seem to come to fruition. And while I understand the reasoning behind the latter, I don’t so much for the former. When it works—as it does quite often—there’s nothing to complain about. When it’s done well, it really gets you thinking, considering the story from a new perspective. But it doesn’t always work. There’s a… for a book that strives so much to detail the emotions of its protagonists, this seems like a strange tactic. Just a break when emotions are running their strongest, or their weakest; when the battle-lull sets in, and the lust fades. Yes, there’s plenty of time spent examining what happens after, but it’s “some time after”, not “directly after”. I suppose what I’m objecting to (as it’s not even that obvious to me) is the break in the range of emotions. We’ve had the highs of the battle. Then there’s a break. And now we’re dealing with the lows of the experience. This is predominantly what I remember happening (there are a few that go: highs of battle, then a lull, then a break, or lull to full downturn, but really nothing that encompasses the whole thing)—I suppose all in all, it seems a rather minor thing to harp on, but in a book that seems to spend so much time on the emotions of becoming a hardened killer, it really doesn’t ever seem to focus on the entire range of emotions.

For the resistance against such an enemy as the Everlorn Empire, whose borders span pretty much the known world, the tiny isle of Thanet is the perfect setting. We don’t have to focus on the world in its entirety. There aren’t a lot of unconnected POVs placed strategically amidst a vast sea. We focus on a little island a hundred leagues from the mainland, and the whole of the story takes place here. While there is lore about the rest of the empire, especially the farther we get on, the reader only has to really focus on Thanet. I really liked this; I thought it worked really well. While I was curious about the larger world (I always am—I can’t help myself), I was happy enough to concentrate on this one part of it so long as the story centers there. Now the author has hinted that the Vagrant Gods trilogy could just be one piece of a much larger tale—one that surely would involve a glimpse of the much larger world—there are no specifics at this point. And while I will admit that some fantasies that span the entire globe do turn out to be AMAZING, they can be quite overwhelming at first. And some readers can burn out on them quite quickly. The smaller, more centralized story here shouldn’t suffer the same. And while some readers will invariably DNF this, it’s likely not the number had it been a universe-spanning, millennial-long tale of truly epic proportions.

TL;DR

I’m not sure what the future holds for the Vagrant Gods, but I know I’m on-board for it. While it’s not the perfect execution in my mind, the Bladed Faith deals with far more than the stabby-stabby bits of an impressionable youth turned hardened killer. There’s quite the range of highs and lows, emotional and mental fortitudes, and long, hard looks at oneself within. And though the emotional range is a little lacking to what I might’ve liked, it’s far more than that of other books and media where our protagonist flips a switch between killer and average guy like it’s nothing at all. This story of vengeance takes place in the secluded corner of a truly vast empire, and rarely stretches beyond its shores. Yes, there is a bit of lore and history of the Empire and its wars, but for the most part our attention remains glued on Thanet. And I loved that. I thought it worked quite well as the introduction to a possibly grander story. It doesn’t overwhelm or distract the reader with dozens of POVs over thousands of miles; it concentrates on this little isle, so long as the story centers here. Which it does throughout the Bladed Faith, at least.

I’d also suggest carrying on after the main attraction to read the author’s note. These are hit-and-miss, often little more than kudos to everyone who made the book possible (which is great, I’m not criticizing them), but Dalglish’s often include much more. The writing process; his state of mind; how the story evolved, sometimes even through publication. I always love reading these, and this one is no different. In it, he describes the tale that the Bladed Faith could have been. What it started out as, and how it became what it is. Honestly, I’d love to post the entirety of it, but I’ll have to talk to the author first. Or, you know, you could just buy the book and read it then;) I will have a little Q&A later this week where I ask things about what this series could’ve been, and why it wasn’t—so maybe check back for that in the meantime.

April 2022

Honestly I’ve been pretty good about keeping up on ARCs this year, and the last couple months have not been absolutely packed with new releases that have been on my radar, so I might actually be able to get some additional TBR in. Right now, I’m actually reading the Jasmine Throne by Tasha Suri, which has been on my immediate list since it came out about a year past. In other news, the Alex Verus reread is going along well, and we’re on track to try Book #4, Chosen, this month! I restrained myself with new ARCs and requests again this month, and will hopefully use this to get a leg up on some of my summer reading. But then, if I do try to conquer both TBR and advance-advance copies, I’ll probably end up dropping the ball on both haha!

So without further stalling…

Currently Reading

I’ve a true three book rotation going at the moment. Finally picked up The Jasmine Throne (on audiobook), to read while playing Cyberpunk (which I’ll get to later). In addition, I have a pair of ARCs I got an early start on—Prison of Sleep (which I’ll get to later), and Equinox, by David Towsey (which is out in May). I’m really enjoying Jasmine Throne so far, and Equinox has an interesting feature where the same body has a different consciousness for the day- and night-cycles.

Somehow I managed another 8 books in March! Can’t imagine this will continue the entire year, but every month it does is a victory!

ARC

The Bladed Faith – by David Dalglish (4/05)

Vagrant Gods #1

GoodreadsStoryGraph

When he was twelve years old, Prince Cyrus’ kingdom fell. His fleet was burned, his city taken, his gods killed, his parents beheaded. For the next two years he was held hostage to legitimize the Empire’s rule. Following his freedom, Cyrus is recruited into the fledgling resistance as a figurehead: a skull-masked, twin-bladed assassin set to drive the invaders from his shores. But the Vagrant is a heavy mantle, and Cyrus hasn’t properly healed from the attack that took his parents. And the more he learns about his family, his right to rule, his new role as the Vagrant—the more Cyrus questions his place in the rebellion.

I’ve actually already finished this. Look for a review tomorrow or Monday, and then a short Q&A with author David Dalglish on Tuesday!

The Hunger of the Gods – by John Gwynne (4/12)

Bloodsworn Saga #2

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Lik-Rifa, the dragon god of legend, has been freed from her eternal prison. Now she plots a new age of blood and conquest.

As Orka continues the hunt for her missing son, the Bloodsworn sweep south in a desperate race to save one of their own – and Varg takes the first steps on the path of vengeance.

Elvar has sworn to fulfil her blood oath and rescue a prisoner from the clutches of Lik-Rifa and her dragonborn followers, but first she must persuade the Battle-Grim to follow her.

Yet even the might of the Bloodsworn and Battle-Grim cannot stand alone against a dragon god.

Their hope lies within the mad writings of a chained god. A book of forbidden magic with the power to raise the wolf god Ulfrir from the dead . . . and bring about a battle that will shake the foundations of the earth.

Mercury Rising – by R.W.W. Greene (4/12)

Standalone

GoodreadsStoryGraph

In an alternate history where Kennedy didn’t die—the year is 1975. Thirty years prior, Oppenheimer invented the nuclear engine. Twenty, humans first set foot on the moon. Eighteen, Jet Carson and the Eagle Seven sacrificed their lives repelling the alien invaders.

So… in living, Kennedy doomed the planet eventually to aliens. Somehow.

Brooklyn just wants to keep his mother’s rent paid, earn a little scratch of his own, steer clear of the cops, and maybe get laid sometime in the near future. Simple pleasures, right? But a killer with a baseball bat and a mysterious box of 8-track tapes is about to make his life real complicated…

So… Kennedy also gave early rise to both Peter Quill AND Casey Jones? The multiverse is weird.

Prison of Sleep – by Tim Pratt (4/26)

Journals of Zaxony Delatree #2

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Once Zax was a lonely traveler, one who would wake up on a new world every time he fell asleep, but that was before he reunited with his lost love, Ana. And before everything fell apart once more.

Now Zax is back on his own, but he has a purpose this time: hunting down the cult that once more ruined his life, destroyed his happiness, and nearly killed him. Both Ana and Minna are lost to him—possibly killed—but Zax is stuck moving forward, always forward. Though the end is in sight. And once he discovers the Cult of the Worm… actually, he hasn’t thought that far ahead yet.

Something. Something epic.

Other Releases

One Foot in the Fade – by Luke Arnold (4/26)

Fetch Phillips #3

GoodreadsStoryGraph

Probably won’t get to Fetch Phillips #2 this month, so I probably won’t read #3 either. And the description of One Foot in the Fade is… vague. Like, it could describe any of the other novels in the series. So, instead of perpetuating this unhelpful bit, I’ll just post a link to my review of The Last Smile in Sunder City and say, it’s supposed to be something like more of that. Which sounds pretty good, to be honest.

Music

Just a couple of albums on my radar this month, though I’m sure we’ll get more as the month elapses. The Veer Union are a Canadian hard rock band out of Vancouver. I have… five of their albums? Manifestations is out April 8th. Shinedown, on the other hand, is a rock band from Jacksonville, Florida. This is their 7th album, and despite some of their previous stuff being… poor, early singles from this actually sound promising.

Gaming

So I’ve been playing Cyberpunk since it’s last next-gen update, and… well, it’s not terrible. Actually, it’s pretty good. I played it shortly after release and it glitched out before the Heist mission. I fell through the map and died, and each one of my saves started me underneath the pavement. Since then, I’ve kept my distance, but recently some of the gamers I follow have been talking it up, about how it’s actually decent to play now. And… well, I’ve also since upgraded to the PS5, so yeah.

I’ve put about 50 hours into it so far, and have very little trophy progress to show for it, which is pretty much the best thing I can say about Cyberpunk. I’ve mostly just been running around from one side mission to the next, doing a main story gig every now and then to keep invested. The story missions really try to hustle you along the main path, but much like the Witcher before it, when the game ends—it’s over. You can’t progress any further, can’t do anymore missions, or gigs or anything. So take your time. Which I’ve been doing. And it’s been pretty great!

There are still bugs. But they’re mostly just the funny kind where sometimes NPCs glitch into walls briefly. Especially after they’ve been knocked out. There was one where I ran into an oncoming truck on foot and it just disappeared. One where the Johnny-vision—where Silverhand’s consciousness clashes with yours—got stuck and kept going (it’s only supposed to last twenty seconds or so, but after 15 minutes it was still around. I just had to save and reload to get rid of it). There have been a few bugs that I’ve had to solve like this: save, then reload it. And they’re fine. Nothing gamebreaking yet.

Night City is vast. VAST. I will say that for the amount of doors, there aren’t a whole lot that you can open and explore. I really enjoyed this about Deus Ex: Mankind Divided, where you could pretty much break into any Prague home and explore. Per capita, not nearly as much here in Cyberpunk. The game also doesn’t reward you for exploring like Deus Ex does. Occasionally you’ll come across some unique weapons’ dealer, or weird side-quest, or bit of random lore and lootables—I stumbled across a cave in the middle of the Badlands where there’d been some massacre, and the data shards laying about detailed a prisoner who’d harnessed a mech and gained his freedom—but don’t expect to run around picking locks or searching rooftops and sewers for interesting routes. That said, there are a lot of different routes you can take on missions. But only really on missions. I just did one mission where there were about a half dozen different stealth routes leading to the objective, along with a few more guns-blazing paths and the like.

Despite the bugs that are left, Night City is pretty. It’s not the most beautiful of games—partly due to the bugs, partly to the piles of trash everywhere (yay, the future)—but for an open-world sandbox, it’s really quite good.

I’m still relatively early on, so I can’t give a thumbs up or down yet, but I will say this much—it’s so much better than it was on release. Don’t know if I’d recommend buying it yet, but if you already own a copy, I’d certainly give it a go. The next-gen update is free, too, so if you bought a PS4 version like I did and have since upgraded consoles, your update is free. It’s worth the time I’ve spent on it lately, which isn’t something I ever thought I’d say when they first released it, but CD Projekt Red has really No Man’s Sky’ed this quite well. Here’s hoping they continue to do so.

Shadowdance – the Beautiful World of Books

With the release of The Bladed Faith coming next week, I thought it might be nice to take a look back at some of David Dalglish’s previous series to see just how far we’ve come. Now, as the author has written and published waaay more than just a handful of books, we have quite a few options for this. The the most recent Keepers trilogy, preceded by the Seraphim one. Then there are the shared universe ones. In chronological order: the Breaking World trilogy; then the Shadowdance hexalogy (that’s 6—not including the Cloak and Spider prequel), whose own timeline overlaps the Paladins’ tetralogy (that’s 4); and at last the Half-Orcs heptalogy or septology (which is 7). That’s… a lot of books.

Now, it’s fair to say that Dalglish is one of my favorite authors, but even I haven’t read all his stuff. And while I’ve read and reviewed at least some of his stuff on here, I’m willing to bet that many of you are only kinda aware that he exists. And likely weren’t aware that he’d published nearly 30 books.

To be fair, a lot of these were self-pubbed, and haven’t been repubbed by any major outlets. But they still carry the same quality as most of the rest of his works—although the early ones are a bit rough around the edges.

Anyway, while I’ll try to work through these series fully, for now let’s focus on my original favorite, my first introduction to Dalglish—the Shadowdance series.

This was a tricky one, as only four of the books were self-published before being picked up fully by Orbit, so there are four self-pubbed entries—plus the Cloak and Spider novella. Also, two of them have different names. Though actually, it’s more than just that. Books #3 & 4—A Dance of Mirrors and A Dance of Shadows—were originally published as A Dance of Death and Blood of the Underworld, books where Dalglish changed the titles on because he did significant restructuring and rewriting so that the stories don’t really match up anymore. They’re actually quite different than the others, if I remember correctly, though it’s been a while since I read them. You used to be able to find the two self-published versions on Dalglish’s website for free—if you were curious—though I’m not sure if that’s still a thing.

Self-Published Shadowdance

Orbit Shadowdance

So, which do you like better: the classic fantasy vibe that the self-published ones have, or the more uniform, if stylized decoration upon the Orbit ones?

Voidbreaker – by David Dalglish (Review)

The Keepers #3

Fantasy, Dark Fantasy

Orbit; February 11, 2021

458 pages (paperback)

GoodreadsAuthor Website

5 / 5 ✪

Beware spoilers for The Keepers Books 1 & 2

Incidentally, maybe check out my reviews of Soulkeeper and Ravencaller before you read this one, eh?

The awakened monsters have claimed half of the Cradle, and set siege to Londheim itself. Shinnoc son of Cannac seeks to atone for his father’s death, the whole of the Dragon-sired following in his wake. ‘Men have begun to flee the city come night, leaving the city weakened and ripe for the taking. But still the monsters sit, for within the city another war rages.

The Forgotten Children have taken over a district of Londheim and driven the humans out. Here they wait while tensions grow ever higher. The dam may yet break, but not while Devin Eveson has anything to say about it. Though he is no longer the Soulkeeper he once was, instead taking a more liberal, cavalier approach to just what constitutes a “monster”. Adria—the Chainbreaker—has turned further still from the church, to the point where she is no longer sure which side of the conflict she’s on. Though it’s becoming increasingly clear that it’s a side all of her own. But when the Goddesses themselves come calling, which side will each Eveson choose? Will it be a common one, or will the siblings fight to the death for ownership of the Cradle?

Meanwhile, Dierk, Jacaranda, Tommy, Brittany, Wren, and Janus all have chosen a side, if not a common goal. Each has their own agenda independent of this war, one that will surely come into conflict with their chosen leaders. But as alliances form and shift and fade, which side will end up on top—and is there any room for the losing side in the future of the Cradle at all?

We seek peace. We seek sleep. We seek oblivion.

Voidbreaker wraps up the Keepers series, another by David Dalglish that I’ve thoroughly enjoyed. While I quite liked the Shadow dance hexalogy, I have to admit its books were a bit hit-or-miss. The Keepers may only have half as many entries, but it commands way more consistency between them. Nothing under 4-stars, with both Ravencaller and Voidbreaker yielding perfect 5/5’s. I so enjoyed this series, yet I’m only slightly disappointed it had to end here. Because while I could’ve read another three or four or eight novels in the same world, Voidbreaker gives the series the end it deserves. A damn good one.

I really enjoyed how the characters of Devin and Adria evolved. Sure, there are others as well—Jacaranda, Sena, Logarius, Janus and more—but these two central figures helped guide the plot from the beginning, and as their motivations change, so does the direction of the story. At first it was Us versus Them. Then the lines began to blur. By this point in the series, I’m not even sure whose side anyone thinks they’re on—let alone where their allegiances actually fall. The thin red line has to be blurred to the size of a demarkation zone, and coated red from the blood of all that have fallen to progress this far. I’m not sure what side I would be on, let alone what the “right” one is.

I mean, Crksslff (Puffy) is on the right side. We all know that. It’s just where everyone else falls that is confusing. Incidentally, the little firkin remains my favorite minor character. It plays its part in this story, to be sure, and plays it well. Just waiting for the spinoff that’s sure to come now.

A few minor hiccups over the course of the text could not dull the majesty that chaos hath wrought. For this tells a story of pure chaos. Dark, bloody, epic, desperate, hope-inspired chaos. And it’s glorious. About halfway through, the air of tension escalates to full-on SHTF. And just keeps at it. The whole latter half of the book was a dash through fire, a desperate fight to the finish, a last stand with but the most-unlikely glimmer of hope. And it’s truly a treasure. An incredible read. One of my books of the year, surely.

Ravencaller – by David Dalglish (Review)

The Keepers #2

Fantasy, Epic

Orbit; March 17, 2020

576 pages (ebook), 535 pages (PB)

4.9 / 5 ✪

GoodreadsAuthor Website

I was kindly furnished with a copy in exchange for an honest review. Many thanks to Orbit and David Dalglish for the ARC!

My ninth Dalglish book, Ravencaller might just be my favorite. Thus far, at least.

Ravencaller is the follow-up to David Dalglish’s Soulkeeper, in which magical creatures and monsters alike have reawakened after centuries spent trapped in a deep, deep sleep. Where in the first book we dealt with the awakening of these creatures, in Ravencaller we deal with the fallout. For the creatures’ sleep was not voluntary. In the times before, humanity and the denizens of the Dragons often clashed, and soon it became clear to one another that each could not exist while the other yet lived. And then something changed. The Dragons were forced under by the Sisters’ power, so that humanity could inherit their world. Imprisoned with them were all of their creations, who so recently awoke.

I was a big fan of Soulkeeper last year, but Ravencaller surpassed even my lofty hopes set by its predecessor.

Magical creatures now roam the land, preying on anything and everything to sate their bloodlust. Their imprisonment was long, and their tempers have frayed. Humans and animals alike suffer their wrath—but mostly humans. Not only the creatures have returned, however. Human servants of the Dragons, called Ravencallers, have emerged, their newfound powers similar to those granted to the Faith- and Mindkeepers but wielded towards a different goal. To drive these ‘men from the Dragons’ land, rather than save it from them. In addition to the these new malcontents, disease has arrived with the magic itself.

Humans awaken hungering for flesh, most often that of their neighbor. Others die, taken by plague or owls, gargoyles and foxes, or other magical predators. One band of creatures quickly overruns the Low Dock, taking it for themselves. Another drives the ‘men from Orismund west of Londheim, demanding past arrangements be honored. An army stands upon the city’s threshold. Another looms in the west. The Sisters’ faithful are pressed back on their heels—with one exception. Adria Eveson.

Transformed by Viciss and his creature Janus, she stands at the head of the church’s army. While magic has returned to the people of the land, Adria is something more. Something far more. And to ensure humanity’s survival, she must become far greater than she’d ever hoped.

Luckily, Adria has allies. Tesmarie, the ebon faerie; Devin, Soulkeeper and her brother; Tomas, newly awakened sorcerer; Jacaranda, newly awakened soulless; and more. The odds are heavily against them, but the humans may yet triumph in this war. Or, they might yet come to another, less bloody arrangement. But time will tell.

Despite a few faults, I loved Ravencaller. More than Soulkeeper. More than any other Dalglish book before it (my personal favorite up til now was probably A Dance of Ghosts). Devin remains my favorite character, but a newbie—Dierk, a Ravencaller—also steals the show. I liked Adria and Tesmarie and others, but Jacaranda’s one-woman revenge mission started to feel a bit worn-out at the halfway point. Nonetheless, I never got to a point in which I was dreading someone’s POV chapter. Not even hers’.

The language remains the same as it was in Soulkeeper. If you didn’t like the casual banter, the common names and words before—you probably won’t like it any better now. If you liked it, that probably won’t change. I didn’t mind it, because it’s what Dalglish used in his Shadowdance series. I’m used to it. But it might annoy you. And if it does, then it does.

The world-building continues to impress, as the changes the author makes to the world mirror the magic awakening all throughout it. Diseases pop up where none were before. Old tensions reawaken. Old disagreements draw new blood. The creatures’ motivations are their own, just like the humans’. It’s a mistake to think either are united in their ideals, their resentments. But can Devin and his friends keep an all out war from erupting?

I really have very little to say about Ravencaller. I loved it—and that pretty much seems sufficient. A classical story with darker elements. Just what I needed at the time. When the world is uncertain, escape into a lovely, well-rendered story.

TL;DR

If you enjoyed Soulkeeper, you’ll probably like Ravencaller. I’d be willing to say you’ll probably like it more. Returning are the riveting plot, the lovely world-building, the interesting and immersive world and its creatures. If anything, there’re even more interesting and unique creatures now. There’s mystery, combat and drama. Love and death. War and… well, mostly war. Action and adventure (though we spend less time out of the city than in Book #1). There’re strong male and female leads. Good characters, POVs and chapters. Nothing too difficult to read or too boring to not suffer through. I’d recommend it, but you’ll have to read #1 first. Honestly, it’s a no-brainer.

Ravencaller comes out early next week, March 17th to be exact. Pick it up, it you need a break from reality. Or, if you’re practicing social distancing. The series may or may not conclude with Voidbreaker, due out 2021. I’m looking forward to next year—and I’m already sick of this one. In March.

Outstanding.