The Harbor – by Katrine Engberg (Review)

Kørner & Werner #3

Mystery, Nordic Noir

Gallery/Scout Press; February 22, 2022

352 pages (ebook)
9hr 38m (audiobook)

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8 / 10 ✪

I was kindly granted an advance copy in exchange for an honest review. Many thanks to Scout/Gallery Books for the eARC! All opinions are my own.

He looked around and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright and glistened. As it had killed the painter, so it would kill the painter’s work, and all that that meant. It would kill the past, and when that was dead, he would be free.

So ends the first and only clue in the disappearance of fifteen year-old Oscar Dreyer-Hoff. As clues go, this one’s shit, but Anette Werner and Jeppe Kørner are used to much worse. Odds are the missing teen is no more than a runaway, but as he’s from an influential family—one used to kidnapping and threats before—the Copenhagen Police are taking it seriously. Thus the inclusion of detectives Kørner and Werner.

But as each hour passes, and the potential for finding the boy alive grows ever more slim, the case itself changes to match. Patterns form and fade, relationships appear and vanish, and the mindset of a trouble teen slowly begins to reveal itself. But rather than helping the case, these revelations instead push the search into murkier waters still.

A possible sexual relationship between Oscar’s brother Viktor and his only real friend, Iben. A family bed. Something shared between Oscar and his teacher. A banished sister, a middle child, a shared secret. Another disappearance. A love of boating, of the water. Everyone has something to hide, everyone has something to lose—though some more than others. Clues come and go—but which relate to the disappearance and which are just there to distract? Will Kørner and Werner be able to locate the missing teen while he yet lives, or will the inevitable finally come to pass?


Eroticism has many faces.

This was an intricate, murky case set on the Øresund between Zealand and Scania, between Copenhagen and Sweden. The Sound gives the whole book an overcast, grey feel—much like the cover itself. Though not all the case and its avenues take place or have anything to do with the waters, they certainly feel like the focus for the book.

I want to make this clear up front: I really enjoyed this one. The murky, grey, confusing feel to the case, with all the clues that may or may not relate, the leads that sped off on tangents or eventually wormed their way back to the heart of it all—it all worked quite well for me. And when everything came together in the end: oh, it was magnificent! The thing is, however, that when you have a story with so many false-starts, with so much deception, it doesn’t help to add other, less… related aspects to an already twisting tale.

While I enjoyed the initial release, the Tenant, I definitely liked the second book better due in no small part to its inclusion of the detectives’ lives. Anette and her baby; Jeppe and his search for love. Both main characters return in the Harbor and once again their personal lives take center stage, but this time it’s all about love. Jeppe and Sarah have taken their relationship to the next level (Sarah has introduced her boyfriend to her daughters, Jeppe has pretty much moved in with the three), but things could be going better. Anette is having problems of her own at home, as her husband Sven hasn’t appeared interested in her anymore. And so she’s been letting her mind wander at work, envisioning sex with all kinds—colleague or suspect alike. Jeppe’s best friend Johannes returns to play a bit part, and while I loved having him (after not seeing him at all in the Butterfly House), I would’ve liked even more from him still. Well, maybe next time. The thing I still cannot fathom is Esther de Laurenti’s (and Gregor’s) inclusion. I complained about it in Book #2—as it didn’t really feel tied to any part of the story, or the main characters within—and I’m going to roast it even more now. Esther, a literature major, is consulted briefly about the opening quote, which is apparently a passage by Oscar Wilde. Full stop. Nevertheless, despite being out of the story after this brief interlude, we continue to share her POVs. In a book of false-leads and tangents, where the story toes an ever-murky line, her inclusion does little other than to distract from an already confusing story, something that is as nonsensical as it is infuriating. “So, we’re going to take a break from this twisting, confusing, but immersive case to go check in on Esther, who really has nothing to do with anything.” While I love developing more backstory on the leads, visiting their lives and seeing their problems and how it all affects their jobs—I don’t understand checking in on someone who barely relates at all to the case, to the detectives, or to the story at all.

As with other Engberg mysteries, or some Nordic Noir, don’t expect a happy ending. Now, I’m not saying there isn’t one. Just that Nordic Noir is so-named for a reason. It’s not grimdark, but it’s not “and they all lived happily ever after”. I mean, there’s certainly a conclusion—which I quite liked, in fact—and it’s definitely enjoyable to the reader, as it ties up any loose ends quite nicely, just: it might not be the happiest. Think of it as “some of them lived, some were happy, and there was some measure of after”.

TL;DR

All in all, the Harbor is probably Katrine Engberg’s most ambitious mystery to date. It’s certainly the most intricate, thrilling, and entirely plausible one. Reality aside, not every mystery can end with a mountain of corpses and a serial killer behind bars. A murky, twisting tale set out over the Øresund and its isles in the Copenhagen harbor, the Harbor chooses an already dark and overcast setting to stage its latest tale, one that replaces a world of greys with that of blues instead. And while it delves even more into the lives of its characters than any release before it, the inclusion of previous characters and their lives—which don’t seem to relate to the case at all—is a mystifying choice, and one that holds the story back from being something truly special. Because at no time during your already twisting and intricate, highly immersive investigation should you take a break to visit someone who has nothing to do with anything, and talk for a while about their lives. This aside, I’d thoroughly recommend the Harbor, and I can’t wait to see what the future has in store for Kørner and Werner, and where the series goes from here!

Audio Note: Once again, I loved Graeme Malcolm’s narration! It brought the story to life and helped sell the characters not just as individuals, but as part of a whole, interconnected to each other and the world around them A great read, all around. Thoroughly recommended!

Review of The Tenant (Kørner & Werner #1)

Review of the Butterfly House (Kørner & Werner #2)

The Butterfly House – by Katrine Engberg (Review)

Kørner & Werner #2

Mystery, Detective, Nordic Noir

Gallery/Scout Press; January 5, 2021

349 pages (ebook)
10hr 1m (audiobook)

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8 / 10 ✪

Beware minor spoilers for the Tenant by Katrine Engberg, Book #1 of the series.

My Review of the Tenant – by Katrine Engberg

An overworked and under-appreciated nurse in Copenhagen’s national hospital takes upon herself to rid the ward of a nuisance. An older patient overdoses on his heart medication and enters cardiac arrest, releasing him and everyone around him from his very vocal suffering. She slips out, stealthily, sure to close the door upon exit.

Six days earlier, a body was discovered in a fountain in central Copenhagen. The dead woman was naked and posed, with small and precise incisions marking her arms and nary a speck of blood to be found. Cause of death: exsanguination—not that it’s clear. From what the first on the scene can tell, the woman might as well have never had any blood at all.

Or there are vampires loose in Denmark.

Lead Investigator Jeppe Kørner arrives on the scene, albeit without his erstwhile partner, Anette Werner, now on pregnancy leave. And so it is up to Kørner to solve this himself. Which he must do with the entire attention of Copenhagen tracking his progress, as the cause and manner of death soon draw media attention.

While Jeppe is struggling with the press of a major case, Anette is struggling with a newborn she never asked for, never expected to have. Pregnancy leave is boring, it turns out, with nothing to do but assess and reassess how exactly this came to pass. She wants—needs—to do something, anything else. And so Werner throws herself into Jeppe’s new case, albeit with no backup, no departmental approval, and no way to tell her husband the truth of the matter. After all, who would believe that she is just avoiding the attentions of her newborn, and the relaxation having a baby demands?

But the case itself is no escape. Soon the pair uncover the greed and ambition that lurks beneath the surface of the shockingly lucrative practice of caregiving to mental health patients. And just what some will do for power, wealth, or status. And when a person decides to drain another of blood, it’s not likely to be a one-off. The first life is always the hardest to take, so the saying goes.

The dynamic duo return! If you’re not familiar with the Nordic languages, Werner and Kørner go quite well together, if not exactly rhyming. Feel free to look it up, or just take my word for it. While the Tenant focused on the issues the two had while working a case together, the Butterfly House instead focuses on the two working apart, each one tackling the case alone. Because of course Anette Werner can’t exactly tell her partner she’s investigating an open (and classified) police case rogue, and neither can Jeppe talk through his theories with her. And if the Tenant demonstrated just how well these two work together, this is indicative of how much worse they are apart. Not that that’s a spoiler; it’s common that in matters such as these, two heads are better than one. And Kørner and Werner, despite their faults—or perhaps because of them—work quite well together. So it’s very interesting to see how poorly they work on their own, apart.

In the last novel, Kørner was struggling through a particularly nasty divorce. And while he had his oldest and best friend helping him through it, it was more than enough to keep his body and mind functioning amidst the overwhelming heartache and depression. But it’s been a whole book since, and Jeppe is back on more solid ground. Back, but not fully healed. He is seeing someone—his colleague, Detective Sarah Saidani—but is it for casual sex, or is there something more? While not everyone may agree, I like the inclusion of a detective’s personal life in a mystery such as this. It helps paint them as human; with strengths and weaknesses that affect their professional lives the same as anyone else.

This mystery was about the same level of Nordic Noir as the last: that being… somewhat, but not overwhelmingly so. It still isn’t exactly sunny and warm, but also nowhere near the dark and oppressive atmosphere found in similar works by Ragnar Jónasson or Jo Nesbø. Additionally, the Butterfly House ties up all loose ends quite nicely—even the most obscure ones. I left the novel feeling a sense of fulfillment, with no lingering questions to answer.

Well, almost.

My two biggest problems with the text center around the inclusion of some characters while others are left out. Esther de Laurenti and her friend Gregor (the landlady and tenant from Book #1) are back—for some reason. I mean, they kinda relate to an offshoot of the overarching plot, but just at the end. For the most part, I found their inclusion baffling, and their chapters a meander from the otherwise greatly immersive main mystery. But with their inclusion, comes a bizarre absence. Johannes—Jeppe’s oldest and best friend, who helped him through the lowest lows of his divorce in Book #1—is gone. I mean, we still see quite a lot of Jeppe’s personal life, but there’s just one offhand mention of the man—nothing more.

There’s one other thing I wanted to address. One of my biggest issues with the Tenant was the division of the partnership. That being—while Kørner and Werner shared the headliner, it was Kørner who hogged the spotlight. I mentioned that I’d quite like to see this addressed in Book #2. And it was. Jeppe Kørner and Anette Werner much more equally share the spotlight. It’s great! And a pattern I hope will continue as we approach Book #3, the Harbour.

TL;DR

Where Anette Werner and Jeppe Kørner united in an unstoppable but entirely human combination in the Tenant, the two return in the Butterfly House to investigate the murder—separately. It’s quite the change of pace, albeit one that sees them more equally share the spotlight—both in their professional and personal lives. But while these highlight several rewarding alterations from the initial entry, there are a couple equally baffling choices. Especially the inclusion of two characters from the murders of Book #1, which have little to nothing to do with those in Book #2. Honestly I felt that their chapters detracted somewhat from the overall flow. But despite this, the story is quite good. And quite immersive. The crime and the detectives are on full display—not just in their investigation, but in their personal lives as well. It does a lot to cast them as human: with their own faults and insecurities, strengths and weaknesses. There’s also a open and ofttimes blunt discussion of mental health. Not only does the plot center on it, but so much of the detectives’ personal lives delve into it as well. From Kørner’s natural anxiety, and depression following his recent divorce; to Werner’s postpartum depression following her pregnancy; to the advantage taken on mental patients in the country’s caregiving programs—it addresses so much of what in my youth was swept under the rug and avoided. While I found this refreshing to bring to light, it was a bit uncomfortable for me as well. I’ve always had terrible anxiety but the overwhelming feeling when I was younger was that it was something best avoided in conversation, something that someone should deal with on their own and best hidden. Nowadays it is much more out in the open—which is great—but it still fills me with the same reluctance and discomfort whenever it’s addressed. Call it habit. Anyway, whether or not you find these things an issue, just be aware that they are front and center, central to the plot of the Butterfly House.

I’d definitely recommend this, and the rest of the series! Especially with the release of the Harbour—Book #3 of Kørner and Werner, out February 22, 2022.

Audio Note: Graeme Malcolm returns from his awesome performance in the Tenant, where he did an amazing job of bringing the Copenhagen crime world to life. I’m happy to report that the Butterfly House is a repeat performance, and I had no trouble drinking in his dulcet tones and immersing myself in the world while this Scandinavian thriller unfolded around me.

The Tenant – by Katrine Engberg (Review)

Kørner & Werner #1

Mystery, Thriller

Gallery Books; January 14, 2020

368 pages (ebook)
10hr 21m (audiobook)

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3.5 / 5 ✪

I wouldn’t exactly class this as “Scandinavian dark” (or true Nordic) noir, but it’s not exactly bright and sunny, insomuch as murder mysteries ever are.

After a young woman is discovered brutally murdered in her downstairs apartment, we get our introduction to Police Detectives Jeppe Kørner and Anette Werner. They make up part of the Copenhagen homicide department, and are seen as a dynamic duo (if only because their names rhyme).

First thing they notice are the intricate patterns painstakingly carved into her face. Add to it the depraved, if “artistic”, juxtaposed nature of the crime—is all it takes for the pair to decide that they’re not dealing with a typical killer, instead one whose lust for murder is likely not yet sated. All done even before they discover the victim’s name.

Julie Stender was a tenant at the flat of Esther de Laurenti; landlady, patron of the arts, and budding novelist. As it so happens, Julie was a key character in Esther’s new crime novel. She was, in fact, the murder victim.

But is Esther the murderer, or is she just another victim? People certainly have done stranger things for fame, but the detectives question if she had the physical prowess to restrain the girl, let alone carve her up. And while her novel featured Julie as its lone victim—it remains unpublished. In fact, only a chosen few had access to it, and after interviewing them, Kørner and Werner are left with no great options. Almost everyone connected to the crime has an alibi. Except Esther. But has she blurred the lines between art and insanity, or are Kørner and Werner seeking a different killer, one that may yet strike again?

I picked this up after reading Mogsy’s review of it—where she classes it as a bit of a classic whodunnit. And after reading it… yeah, I’m inclined to agree. If you’re not familiar with Nordic Noir, then you’re in for an experience. Not that I would class this as nordic noir—it’s not as dark as Ragnar Jónasson or Jo Nesbø—it’s more of a crime thriller, mystery with dark Scandinavian vibes, but it’s not too gritty. But then Denmark is one of the happiest countries in the world. And you can kinda tell from this—if only by contrast.

The characters are fairly well developed and grow and change over the course of the text—or, well, Kørner does. And Esther, I suppose. I really would’ve expected a well-thought out character like Anette Werner to experience more growth, but don’t get to know her very well in this. While this is remedied in the second book, I really would’ve liked to see more from one of the two title characters. Jeppe certainly has his time in the spotlight; it’s a shame that Anette doesn’t share it.

Though a crime drama, noir mystery, thriller what-have-you, the Tenant is about more than the murder of Julie Stender. Yes, we get to explore Julie’s life—all the choices that led to this, that made her her, that ultimately contributed to her life and death and the fallout from each—but we get to see a lot more besides. Esther gets more time in the spotlight than I was expecting (while as I’ve previously mentioned Anette Werner does not). She actually makes quite an interesting character, though most of what we’re focused on (as she is as well) is the murder itself. Jeppe Kørner, on the other hand, gets to live more than just the case. We see a career cop, fresh off a divorce that’s almost ruined his life. His attempt to get his life together while attempting to avoid alienating all the people his still cares about is one that many of us can relate to—even if we haven’t all been through a messy divorce. Through this book, Kørner tries to compartmentalize the case from his personal life, with varying levels of success. His love, sex, social, and private lives are all laid bare. Though his job may not have always been so deeply connected to his identity before his life came to shambles, one thing becomes increasingly clear: it’s not just another case. This time, it really is personal.

TL;DR

Overall, this was a great read and a good crime thriller. It’s not perfect, but combines an interesting story and adequately perplexing mystery with realistic characters and an immersive setting. Though Copenhagen may be one of the fabled happiest cities in the world, the whole story has a decidedly dark twist to it—something that the story is decidedly better for! Though some aspects—character depth and development, especially—could certainly do with improvement, their deficiencies were more understandable (if not entirely forgivable) given that it is a debut series. If you’re not familiar with nordic noir, this is an excellent place to start as it’s not quite the bleak torrent that you might find in other such contemporary works.

The series continues with The Butterfly House, Book #2 of Kørner & Werner, out since 2018.

Chinese New Year 2022 – Year of the Tiger

恭喜發財!新年快樂!

The Year of the Tiger starts today, so if you’re celebrating I hope you have a good day! I was trying to decide what kinda New Year’s feast to have, but then I started having stomach issues, so it’s probably not going to happen. Even worse, there’s no moon cake!

But I’ll live.

It’s been a terrible January. Stress from my job, my family, my friends, my life… I’m really sick of it. Here’s hoping that this month (and this year) is better.

Currently Reading

Somehow I read NINE books in January. Don’t expect that to happen in February, Lunar New Year or not. I also DNFed one that I’ve mostly seen glowing reviews for. Currently I’m working on three books, which is my limit at once, provided each is in a different format.

For audio I’m reading The Butterfly House by Katrine Engberg, the second installment in the Kørner & Werner series (the 3rd is out later this month), which is included with subscription to Scribd—the audio streaming service that I’ve only recently discovered. I’ve just started Age of Ash by Daniel Abraham, which the lovely folks at Orbit were kind enough to send me a physical ARC of! It starts a new series which I’m very much looking forward to getting into; Book #1 here centering upon a woman named Alys. And finally there’s Return of the Whalefleet by Benedict Patrick, which I have early in ebook form via the Kickstarter that ran last summer. It’s the second book in the Darkstar Dimension, and one that I’ve been eagerly anticipating for some time (so much so that I couldn’t wait for my physical copy to arrive and decided to start it early).

ARC

Bluebird – by Ciel Pierlot (2/08)

Standalone

Goodreads

Many thanks to Angry Robot for the lovely and unexpected copy of Bluebird! I’m not sure when I’ll get to this one, but hopefully before Scifi Month in November. I’m not well versed on this, but I seem to remember there are four factions, one of which is Rig, a gunslinger, lesbian, and lone entity fighting against the control of all three others. Despite my disquiet surrounding this, the book may very well have the best cover of any releasing this month.

Dead Silence – by S.A. Barnes (2/08)

Standalone

Goodreads

A horror story. A ghost ship. A mystery that longs to be solved.

When the crew of a deep space maintenance ship stumble upon the ruins of a starship lost centuries ago under mysterious circumstances, their first thoughts are of how this will best line their pockets. After attempting to return the hulk to known space, however, they have very much different things on their mind.

So… I recently gave up on this one. For now, at least—I will try to revisit it later. The ghost ship and the mystery and the history are compelling—but the lead I cannot fathom. Claire just… shouldn’t be here. It’s beyond reason that anyone would have made her a captain, with her history. I know, I know, you haven’t read it. But I can’t not complain about this a little because I really wanted to like this and just… couldn’t.

Age of Ash – by Daniel Abraham (2/15)

Kithamar #1

Goodreads

The latest fantasy epic from Daniel Abraham starts in a city on the brink. Kithamar has remained free from three hundred years, but when their Prince suddenly dies, it may be high time for a change in power. Told from three perspectives—one in three different books, all set during the same time-frame—this is epic fantasy at its best. Or so I’ve heard.

Mickey7 – by Edward Ashton (2/15)

Standalone

Goodreads

After a mission gone very wrong, Mickey7 somehow returns to base to find that sometimes there are worse things than dying alone on an alien world. First among these is Mickey8, who is already out of the tank and sleeping in his bed. A clone and the colony’s only Expendable—the one human that gets all the most dangerous assignments and missions, because there’s always another where he came from—this might well be Mickey’s last mistake. The base’s commander already hates him, and that was before he laughed in the face of God by having two of himself. For philosophical and spiritual connotations aside, having two of oneself is NEVER a good thing. If there’s one bright spot, it’s that with Mickey’s job, he might just get lucky and die before anyone finds out. A funny thing to hope for.

Deepest of Secrets – by Kelley Armstrong (2/15)

Rockton #7

Goodreads

I only kinda skimmed this because I’m still on Book #5, but I’m pretty sure there’s another murderer in Rockton. Not too surprising when half the town are criminals, but inconvenient to say the least. As always, it’s up to the police force of 3 to bring the killer down, before the entire town turns on one another.

Diablo Mesa – by Preston & Child (2/15)

Nora Kelly / Corrie Swanson #3

Goodreads

Well, the spinoff has reached its third installment, and it’s already better than the main series itself. Probably a reason—but we won’t get into that. When Nora Kelly quits the Institute instead of heading a humiliating dig focused on aliens at Roswell, she manages to fall into a new gig almost immediately. And the first thing she has to do is… excavate the crash site in Roswell.

At least this time it pays better. And of course with a “conspiracy” this storied and phony, it’s not like it’ll be dangerous…

Other Releases

The Harbour – by Katrine Engberg (2/22)

Kørner & Werner #3

Goodreads

This third (in English, at least) entry in the Kørner & Werner Nordic noir crime series features another less than typical Copenhagen day in the world’s happiest country. I missing person, a worrying note, a potential murder, and no other leads for any of it. This is what confronts our pair this time and based on their past experiences… well, I’m not sure I’d anticipate the happiest of endings.

MUSIC

Two albums on my radar this month, but I’m sure there’re more plus singles I haven’t heard of yet. Finnish metal band Amorphis has a full-length album Halo coming on the 11th, and Australian celtic punk outfit The Rumjacks have a rather long EP, Brass for Gold, out the same day.

There’s also an Infamous Stringdusters album, Toward the Fray, releasing the next week, February 18th. I wasn’t in love with either of their first two singles off said album, but luckily I’m enjoying the 3rd one much more!

I know I’ve said this before, but I’m going to try to have something of my favorite songs released in the last month up, but I’m not sure if it’ll happen. Because me, because life, because effort. But I wanted to highlight songs by the Veer Union, Smash into Pieces, Wardruna, Shinedown, Infected Rain, Hermitude, and others. And hey, maybe it’ll happen;)

Gaming

I’ve been playing Biomutant lately, which—if you’ve heard anything about it all all—didn’t sell as well as expected on release because of publishing delays, poor pre-order incentives, somewhat repetitive combat, and a narrator who won’t shut up until your ears start to bleed.

I’ve been quite enjoying myself though, to be honest.

An open world adventure through the decaying ruins of the old world, you’re tasked with defeating the four Worldeaters, that are destroying the roots of the Tree of Life, which will result in the world’s destruction. Or… you could help them along, because the world is dying anyway, and nothing short of the end of everything is going to change that. The point is you have options.

You have the option to save or doom the world. You have the option to follow the main quest lines and unite the tribes, marshaling all forces under your rule to save/kill the Tree of Life and complete your destiny. You also have the option to get lost and wander around in the ruins of the old world, collecting loot and meeting interesting characters, while occasionally stumbling onto things from the main story (often entirely out of order), before resuming your globetrotting adventures in exploration. While I have no problem with doing the former options, I’ve primarily been doing the latter. In my defense, I get easily distracted, and the world itself is pretty and mutated and post-apocalyptic—and I really can’t resist that type of thing.

The narrator can be quite annoying and as he’s pretty much the only voice in the game, you’ll be hearing his voice A LOT interpreting everything or just inserting random comments because. You can turn his frequency down, which is quite nice—or, alternatively, you can just mute him entirely.

Otherwise, I have no complaints. I love adventure and exploration games, and I knew in advance that all I really had to do was put up with the narrator, so I’m thoroughly enjoying myself. I’m only 23 hours in, but am hoping that I’ll get at least 60 total before I lose interest. Anything more than that would be a bonus. Anything less… well, I did get it on sale, at least.

MISC

In terms of plans for the month… I’ll pretty much be sticking to the schedule I’ve been following lately. Reviews Sunday and Tuesday, cover love on Thursdays (or I may switch that around and put the Beautiful World stuff on Tuesdays instead). My friend KK is still sending me the occasional review that I’ll be posting myself, randomly, and I may do some lists or musics or other things as well. I’ll also be doing a TBR sometime this month, but it’ll be more low key than what I was trying to do in years past.

Life-wise… I didn’t get fired. Which I kinda thought I would, so… yay! My direct boss left, and since I’ve just been filling a bunch of random positions under her I was worried I might just be left without anyone to report to, assign me shifts, or pay me. And while I don’t exactly have either of those first two worked out, I DO have someone to pay me—at least at first. I would be more worried, except I don’t really love my job anymore. There’s a lot of politicking recently and the focus has shifted from making sure everyone is having fun and being safe to making sure we’re making money and aren’t liable for anything bad that happens. But since I haven’t found anything better yet…

The last month sucked. Anxiety. Lots of it. Also gut and food and sleep troubles. Let’s not get into that. Here’s hoping that February is better! (Though I’m pretty sure everyone’s been saying that for the last two years straight…)

So what does everyone think of the books? Or the games? Oh, and what’s your lunar animal? I’m going to ask everyone this so don’t be surprised when it’s the first thing I follow up your comments with. I’m a rabbit. A FIRE rabbit. Pretty sure most rabbits don’t like being on fire, but whatever, maybe some Eurasian ones do? But uh anyway books and games and stuff…