Burning Kingdoms #1
Orbit Books; June 8, 2021
533 pages (ebook)
19hr 43m (audiobook)
8.0 / 10 ✪
The Empire was born in sacrifice wreathed in flame. Lifetimes before, the Yaksa nearly swallowed the world in darkness. and their devoted followers the Ahiranyi In the end, it was the Mothers sacrifice which saved the world. If the Mothers had not given themselves willingly to the flames, the Age of Flowers would never have ended.
Malini is a princess of the Empire. Years before, she was to be given to the eternal flames in order to purify herself and all women, so that the Mothers continuing sacrifice would not be in vain. However, Malini refused to ascend to the fires and was exiled, imprisoned atop the Hirana by her brother, the Emperor. Now she spends her days in isolation in her foe’s ancient sanctuary, temple to the deathless waters that once served as their most powerful magics.
When Priya was young, the temple atop the Hirana burned. A gutter-rat turned maidservant, Priya is satisfied with a life of drudgery lived in the shadows, terrified that anyone learn her secrets. So terrified that she even hides them from herself. Once a maid to the regent’s wife, Priya reluctantly accepts a job tending to the temple rooms atop the Hirana, now occupied by the exiled princess. The job pays more in a day than she makes in a week, as maids must ascend and descend the deadly path to Hirana each day, careful not only to survive the journey but more so to never cross paths with the princess herself.
Well, somewhat careful.
When the inevitable does come to pass, however, Malini not only discovers Priya but also stumbles upon her true nature. Both are women cast from their true path; both would give up everything to find their way again. And together, they very well may.
It may have taken me a bit to get lost in the Jasmine Throne, but once I did I was well and truly gone. The world passed by while Priya and Malini and Akosh weaved their webs and sang their stories, and the tide of the Deathless Waters carried me away.
Full disclosure: I listened to (read) this while playing Cyberpunk, only stopping when I was exhausted or had to go to work. It was truly a surreal experience—for a good chunk of its 20+ hours—so much so that I completely lost myself to the story, and often ended up wandering aimlessly around Night City doing nothing but listening to the adventure unfold.
The Jasmine Throne is truly a story built for and driven by its characters. So much so that the setting took quite a while to permeate the story. It took me the longest time to discover just what the Hirana was, how it related to the plot, or just why it was so dangerous. It just seemed that the plot had taken a backseat to its characters. At least for a time. I really only noticed the setting when Rao’s POV rolled around. I don’t know whether that was because he’s a weaker character than Priya or Malini or Ashok (which he is), or because his chapters are just more oriented toward the setting than others.
Once the everything gets set up and the story (particularly that between Priya and Malini) gets interesting, there’s not much else to steal the focus away from them. This means that though it’s quite hard to put down, the characters that aren’t the big four—of Priya, Malini, Ashok, and Bhumika—seem to detract from the plot rather than add anything to it. It’s not that I don’t care about their input, it’s just… they distract from what’s going on. I realize that their contribution pays some dividends in the end, but I’d argue that it’s not enough to justify the albeit slight distraction they provide.
I guess it’s a good thing that these characters don’t get a ton of time in the spotlight. Priya has more chapters to her name than everyone else (excluding Malini) combined. And with the these two pretty much controlling the story… well, it turns out quite nicely.
The Jasmine Throne is very much a story driven by its characters. Though some of the bit characters (other, less involved POVs) are immediately forgettable, the main characters (Priya, Malini, Ashok, and Bhumika) make up for them easily enough. And since these control around three-quarters of the book… let’s just say they more than make up for it. In classic fantasy form, it takes its time setting the scene, introducing its world—not to mention the characters therein—before getting down to the plot, the romance, and the world at large. And to be fair, this works quite well. While it took me a little to get into the tale, once I did it was a lovely time. Even the romance, which is usually not my favorite. All in all, the Jasmine Throne proves an entertaining start to a new series! One I’ll be more than happy to continue.
The Burning Kingdoms continue with The Oleander Sword, out in August of 2022.