I was kindly provided with a review copy in exchange for an honest review. This in no way alters or affects my opinion. Many thanks to Subterranean Press and NetGalley for the ARC! All opinions are my own.
Times are tough. Even as a dispatcher, Tony Valdez is forced into taking some gigs he otherwise might not have. Jobs in a legal grey area. After one of these, Tony takes his earnings to the bank, only to get himself embroiled in a robbery. A robbery involving a person Tony is quite familiar with—a dispatcher, like himself.
But it’s only when the robbery goes wrong that this peculiar fact is brought to light. When the dispatcher dies—he doesn’t come back.
It’s only then that Tony finds out that this particular death may not be so peculiar after all. In fact, several dispatchers have died recently. Died and stayed dead. And for reasons neither Tony nor anyone else seems aware of, he may soon join them. But how do you kill someone when 999 out of 1000 people murdered are magically restored to life? The answer is to murder them… by other means.
The second Dispatcher novella, John Scalzi returns us to a world without murder. A recession has infected this dystopia, and Dispatchers aren’t the only ones struggling to get by. Tony Valdez plays lead fiddle in this once again, with some few returning characters from the first entry. Again the text is dialogue heavy, but this doesn’t flow quite as well as the first one did. The story isn’t quite as immersive, nor does it seem as polished as it did the first time around. In fact, it seems a little like a rush-job. The premise itself is still a good one, however. And given this interesting world to explore—especially how one goes about murdering someone without actually doing the murdering—even a less polished product will do.
The detective story itself, ironically, I found better than the first. There was more suspense and intrigue, as opposed to the first where I called the ending inside the first half hour. This time I hadn’t a clue what was going on until at least the halfway mark, which made it all the more interesting. It was the back and forth with Detective Langdon that ruined it for me. In fact, I didn’t like either of their characters as much this time around. Tony acts a bit too much of a little-goody-two-boots, despite his less-than-legal behavior throughout much of the books. I found it more than a bit hypocritical.
Now, it’s still a good story, still a good read, still a good time—I just didn’t like it as much as the original. As far as whether I’d recommend it… mostly, yeah? The Subterranean Press copy is quite nice, but I don’t think it’s worth $40. The ebook version comes in at $6 (or £4.35) which is much better. The audiobook is free on Audible—and it’s hard to beat free.
I was kindly provided with a review copy in exchange for an honest review. This in no way alters or affects my opinion. Many thanks to Angry Robot and Watkins Media for the ARC! All opinions are my own.
Fresh off my first Pratt novel Doors of Sleep, I decided to give his Axiom universe a go. This omnibus collects three novellas all set in said universe, and presents a debatably good intro to the series itself. Or does it?
The Augmented Stars
Delilah Mears joins the crew of the Golden Spider, a scout vessel on a hush-hush mission out onto the fringes of known space. To her, the Axiom are nothing more than a myth: a race of pseudo-Reapers that haunt the galaxy, laying waste to any civilization they come across. So when it turns out that the mission itself is to investigate a cosmic anomaly—one that may or may not be an Axiom death trap—she’s caught a bit off guard. But upon setting out, the mission parameters aren’t the only surprise in store for Mears. Space pirates, rogue A.I.s, and myths come to life feature in this action-packed novella.
…which was generally interesting—and served as a good intro to the Axiom universe, even though I’m told it contains spoilers for the books. The novella starts off on the right foot; an adventure to the edge of space, a mysterious captain with quite a sense of humor, an interesting new galaxy to explore. From here, we go to the equally mysterious anomaly, get boarded by space pirates—enough to tie off any adventure nicely. The ending was a bit of a letdown, and I do think Pratt could’ve drawn out the suspense (and length of the novella) a bit more, but all in all it was an enjoyable adventure told in a bite-size portion.
3.5 / 5 ✪
The Artificial Stars
A.I. and Trans-Neptunian Alliance President Shall receives a strange message from a past version of himself that he thought had been re-absorbed into his consciousness and destroyed. The request: come to the edge of the universe to see something important—if he doesn’t, the universe will be destroyed. So Shall convenes his cabinet to decide how to handle the threat before ultimately setting out to meet it.
I just could never take this one seriously. From the outset, it runs like a cheesy scifi series one-off. An AI splits his personality and it eventually gets away from him and decides that it is the real consciousness and he the copy, so we get the gang together and set out on a harebrained adventure to stop it. But first, the presidential cabinet rehashes some of their past adventures together, like a full-on knockoff of the A-Team. From there everything carries on predictably. This is something that fans of the series will ultimately probably enjoy, but I found it ridiculous, cheesy, and stupid.
1.0 / 5 ✪
The Alien Stars
Lantern, an important figure among the aliens known as “the Free” or “the Liars”, recounts a harrowing personal journey she undertook to confront her ghosts from her past, nightmares from the present, and specters that only the future could hold. The story is told via a number of letters sent to her star-crossed love and human friend, as she goes up against a threat to the galaxy—one that she is uniquely designed to fight, one that she fully expects to claim her life.
It’s actually quite touching, this one. Again, I felt like Pratt could’ve really drawn it out a bit more: heightened the tension, atmosphere, mystery—and that the story would’ve been better for it. As it is, the Alien Stars reads reasonably well, and ends much better than either of the others before it, but not before tugging a bit on the heartstrings on the way out. This one I found had the slowest build, but ultimately the best conclusion.
4.25 / 5 ✪
All in all, I would like to reassess my previous statement that this omnibus would be a good jumping-off point for the Axiom universe. The novellas all contain spoilers for the main series, so it’s probably not a good place to start if you think you’d like to read the Axiom trilogy. Also, while there’s a bit of hand-holding, this is more the type of thing that existing fans will enjoy more than newcomers. But for a newcomer like myself: one decent read, one good read, and one dud. I suppose it’d not bad, but if you’re really interested you should probably start with the Wrong Stars.
I was kindly provided with a review copy in exchange for an honest review. This in no way alters or affects my opinion. Many thanks to Tor, Tor.com & NetGalley for the ARC! All opinions are my own.
Warning: Contains spoilers for Murderbot Diaries #1-5
Fresh off Murderbot’s first full-length novel, Fugitive Telemetry returns to the novella format which takes place prior to the events of Network Effect, but after those of Exit Strategy. So just forget about all the things you’ve probably forgot about already and let’s get started.
When a dead human is left in the middle of one of the main corridors of Preservation, it’s up to Murderbot to find the culprit before they kill again. Or, you know, before more humans whine to it.
The first question: did Murderbot kill the human?
No, it didn’t. And if it did, it wouldn’t leave the dead human out in the open.
But—in a shocking twist—since Murderbot has the most experience with dead humans, it is tasked with helping the port authorities discover the real killer before they kill again.
I’d forgotten how much I missed this. It’s really hard to remember just what the first couple novellas really excelled at (as they both presented a likable, antisocial non-human, yet oh-so human lead) when there’s been no letdown. All the novellas were good, as was the feature-length novel. But Fugitive Telemetry exceeds all expectations. Here is a Murderbot in its native habitat—solving a mystery with some would-be allies who don’t trust it, stalking a shadowy killer before they strike again.
It gives the same vibe as All Systems Red or Artificial Condition—the first few novellas, back when it was still a Rogue SecUnit surrounded by enemies—but with more pert and polish to the writing, the story. For who could be the murderer? It could be anyone: GrayCris, come to finish the job; another rogue SecUnit, come to meet the legend; random humans, serial killers, aliens—it could literally be anyone. Except Murderbot. At least… it doesn’t THINK it did it, but how would it know? It’s named MURDERbot, after all. And if its human “allies” were to learn this, they’d probably suspect it to. And so it has to find the killer so it can go back to watching media in peace, without being interrupted for every dead human that turns up.
The last thing that I’m going to mention is Murderbot’s character arc. It went on quite the progression through the original four diary entries. From a nameless, faceless AI soldier to a rogue and killer. Then to a would-be savior, a freedom fighter, a mercenary, a consultant, then finally a trusted friend. Network Effect rather missed out on adding to this arc. Now, there’s some progression there, sure, but there’s almost as much regression. Fugitive Telemetry—set before the events of Network Effect—continues the original character arc, presenting a character more reminiscent of what appears in the later novel. And, as much as I’d like to know what happens after the events of the novel itself, I think Murderbot still has a bit more to tell before we come to that.
And yet, there’s an problem. I have one problem with Fugitive Telemetry. ONE. The price is ridiculous. $12 ebook, $18 physical for a 170 page novella is just stupid, no matter how good it is. Ebook prices being what they are… it’s not the time or place to get into this. Sufficient to say that $12 is too much for an ebook, a novella—even one as outstanding as this.
Taylor Barnes was the first to die. About 8 years prior to the present, he and his wife were in Iceland celebrating their anniversary. Unbeknownst to him, she had been having an affair and was preparing to leave him, but had been unable to summon the courage to confront him about it. And one day while out hiking in Iceland, she finds a workaround—and pushes Taylor off a cliff to his death. The next thing he knows, Taylor wakes up at home: confused, disoriented, but very much alive.
Soon after murder victims stop dying, soldiers start waking up at home after being shot or blown up, death row inmates cheat death the moment their sentence is carried out. In 999 out of 1000 cases, those murdered come back to life. After 8 years, there’s a whole system to the chaos.
Tony Valdez is a Dispatcher—a professional assassin tasked with humanely disposing of people in the throes of death. But not all Dispatchers are so conscientious. As with any profession, this one harbors a dark side, where its purveyors exist in a moral grey area. When a fellow Dispatcher goes missing, Valdez teams up with the police to find his friend before it’s too late—and while doing so is forced to confront all the dealings his fellow Dispatcher had his hands in. But while he may cheat death the first time, even Dispatchers aren’t immune when a natural, non-violent death comes a-knocking.
For the most part, I found the Dispatcher a lovely read with an engrossing story, a concise conclusion, and an interesting, well-thought-out premise. It’s a fairly short read—only a little over two hours (if you go the audio route and 1x speed)—and I would’ve liked to see a bit more from the world before being whisked away. While the mystery is a rather compelling one, it’s hampered by the time constraint, and everything seems to come to Valdez a bit too easily because of this. We’re presented with the issue, then we learn about it, and arrive at the conclusion. There’s very little detective work, chasing leads, ghosts, or dead ends.
This may not be the detective story you’ve always wanted. The one that turns your brain inside-out before ultimately blowing your mind as it concludes its journey. But it’s interesting, entertaining, and leaves no thread un… unthreaded? Seeing as how there is light at the end of the tunnel, I’m happy to give this a recommendation. With another Dispatcher novella coming out soon (through Subterranean Press—though it’s already out in audio), we may yet be able to explore more of the world, and jump back behind the eyes of Tony Valdez.
I was kindly provided with a review copy in exchange for an honest review. This in no way alters or affects my opinion. Many thanks to Solaris, Rebellion and NetGalley for the ARC! All opinions are my own. All quotes are subject to change in the official publication. Don’t blame Rebellion, or me if they do.
One Day All This Will Be Yours is a love story for the ages.
I mean, there’s some sort of romance within, along with plenty of ages (since time travel and all), and it’s definitely a story, so there’s that. The rest of it basically answers the question: What would happen if a sentient nuclear warhead fell in love? Could it forever deny its baser instinct to eradicate life, or would it… boom?
But I’m getting ahead of myself.
“Stalin and Hitler is cheating.” “I don’t see why. Achilles is cheating, he never even existed.” “Says the woman with three Jack the Rippers.” … The fight’s begun by then. It is… Strangely hilarious.
Nobody remembers how the Causality War started. Really, there’s literally no one to remember—except for me. And I’ve forgotten.
See, the thing about screwing with causality is that eventually, it’s really hard to remember where the start of things and the end of things actually was. And that was before we broke time.
While I don’t remember who started the war—much less whose side I was on—I was the one to finish it. Then I tidied things up as best I could and came here, to the end of time itself. There was no place left for me where I’d been. Or should I say, “when I’d been”. But with time irreparably broken, there was only one place to go. And only one thing to do: see that it never happens again.
This is one of those stories where we never learn the narrator’s name. But his name’s not all that important, to be honest. Probably doesn’t even remember it himself. That’s the thing about causality and time-travel; it really messes with the old noodle. Sufficient to say he’s a time warrior—the last of his name.
The concept works really well. A time warrior, trying to prevent another time war before all of time is destroyed. Or, MORE destroyed, I guess. It being a time travel story, it made my head hurt if I tried too hard to sort everything out. The good news is: the book never tried very hard to sort everything out. Didn’t even really take itself seriously. Oh, there’s a plot, and a story, and they’re both lovely to boot. But it’s filled with tongue-in-cheek, sarcasm, and dark humor. Combined with the detailed, if not intricate, plot—it makes for an entertaining, intense, and often hilarious read.
‘ [We] have a fine old hoot watching Hilter get chased round and round a field by an allosaur. It’s very therapeutic. And the thing about allosaurs is they can run really quite fast, and the thing about Hitlers is that they can’t, not really, or not for very long. ‘
And that’s all before the love story kicks off.
I won’t say much about that, just that… it’s certainly something. I mean, I would totally read more romance novels if they were like this.
While the ending makes for a bit of a letdown (again, no spoilers), One Day All This Will Be Yours is another excellent example of the author in novella form; quirky, creative, unique, and incredibly entertaining.
One Day All This Will Be Yours is the idea time-travel novella—not too intense, not too serious, not TOO hilarious, but just enough of all those combined. Also, entertaining. Very entertaining. My personal choice for the greatest love story of all time (pun intended), the time warrior’s adventure is by no means boring before he meets his perfect match. And while there is a bit of a slump at the very end, ODATWBY provides a unique, amazing take on time travel, and causality itself. Definitely recommended!
And if you haven’t read any of them by now, Tchaikovsky is making a habit of putting out one or two novellas a year through Solaris/Rebellion. My most recent favs have included Walking to Aldebaran and Firewalkers. Look for him later this year with Shards of Earth, a full-length novel from Orbit, and Elder Race, a novella from Tor.
I was kindly provided an advance-copy of the book in exchange for an honest review. Huge thanks to Angry Robot #AngryRobot for the ARC!
Every time Zaxony (Zax) Delatree falls asleep, he travels to a new reality. He has no control over his bearing and never revisits the same place twice, making his life a constant, spontaneous adventure. One that he can neither stop nor control. Sometimes he’ll wake in paradise, with plenty of food and a no worries beyond his next nap. Others he’ll wake in hell; worlds of brimstone or desert or glass, worlds at war or apocalypse, worlds filled with monsters or fire or death. Sometimes he’ll even wake in space. But wherever he wakes, Zax does what he must to survive. Survive and move on. On and on and on.
But isn’t all bad.
Zax lives a life some would kill for. A new world each day, an adventure that never stops. Worlds mortal eyes have never seen, worlds of paradise, utopia, or orgies (if that’s your thing). And he can take a companion—something to stave off the loneliness. All Zax must do is fall asleep holding them, and asleep or awake, willing or unwilling, his passenger will follow. But there are often serious consequences of Traveling, not just the monsters and war. The first companion Zax brought along was driven insane by what she saw in-between, a moment that has haunted him since.
But now Zax is being haunted by another former companion—one that has somehow followed him through time and space. Someone who is after the power in Zax’s blood, the ability to Travel between worlds. And where Zax would simply Travel, his former companion would conquer.
“Every time Zax falls asleep, he travels to a new reality.” I was sold from this very first line. Doors of Sleep mostly delivered on my expectations—an adventure that doesn’t quit; new world after new world, each one rendered for but a glimpse; a hunt through time and space. I actually could’ve done with more adventure—more worlds to see, more unknown to explore. Anyone who knows me will know that’s my thing. My favorite part of games like Civ are the exploration, the first few dozen turns, when the world is shrouded in fog and ANYTHING could be out there. But I realize the need for a plot, and this one works pretty well.
After all, how does one follow a Traveler through time? Not even Zax knows where he’s heading, after all. This mystery was part one—one that really could’ve been drawn out longer, in my opinion. The second part was what happens when the second Traveler catches the first. Where one would explore, the other would conquer—and it’s very difficult for those two points of view to coexist.
Zax can use sedatives to escape the nightmare worlds, and stimulants to extend the utopias—but he has to measure each world’s worth/danger against the desire to prolong/escape it. It’s resource management; the supplements aren’t limitless, and he also has to eat, hydrate, and take care of his body and mental health throughout. While there is a strong survival element to the text, it’s mostly in the background. I would’ve liked to see it take more of a central role.
The story takes place relatively late in Zax’s travels. His 1000th world sees him surviving, but not yet thriving under the weight of his “gift”. I honestly could’ve done with a little more of his earlier adventures. Maybe see him make his way through several companions, see him adapt and survive, see how he combats the loneliness, the uncertainty. It seemed to me that Doors of Sleep kicked off too early to enjoy the adventure. And while the plot was good and the story was good and the concept was good, that was the key element holding it back. “Every time Zax falls asleep, he travels to a new world.” So we catch but a glimpse of these worlds. And unfortunately we catch but a glimpse of this glimpse when the hunt takes center stage.
My biggest issue had to be the end. Doors of Sleep is a fairly short book—only 250 pages—and one can essentially read it in a day. The plot to this adventure takes a bit of time and a bit of doing once it gets started but the conclusion takes a chapter. Less, even. You could blink and—it’s over. I also expected this to be a one-off, a standalone: it’s not. The conclusion sets up a sequel, something I confirmed before reviewing it. At first both my rating and review were going to be a great deal more negative due to the abruptness of the ending and the lack of resolution for certain elements I dare not spoil. But instead it’s just a cliffhanger. Which is… better, but still annoying.
A rollicking read, Doors of Sleep is a bit like Edge of Tomorrow. But instead of repeating the same day over and over, Zax must survive a new world each time he awakens—one that could hunger for his blood, or simply make his tum-tum hungry. Add in a little bit of Twoflower, a little Pincer Martin, a touch of An Idiot Abroad, and Doors of Sleep become the best forced, spontaneous adventure you never knew you needed. The first in a new series, DoS is here and gone again entirely too soon—both in that it’s somewhat short and concludes everything abruptly in under a chapter. Still, I heartily recommend it for anyone who likes adventure, science fiction, or just a good one- or two-day read (I mean, it took me five, but who’s counting). In addition, it was the escape I needed from the truly awful first week of a new year. Come escape with me!
Didn’t get a ton of books for Christmas this year, for whatever reason. Combined with the amount I was working over the holidays and an inherent lethargy on my part, I didn’t get a haul post done for December. Not that I bought a bunch of books during Ketchup Month anyhow (nor did I get much in the way of catch-up done). So we’ll just combine December and January here.
ARCs for January
• The Scorpion’s Tail – by Preston & Child (1/07 UK • 1/12 US)
The second Nora Kelly/Corrie Swanson spinoff features our favorite duo in the wastes of New Mexico and includes a gold cross, a mummified corpse, a missing gold mine, and a famed event in US/World history.
• Doors of Sleep – by Tim Pratt (1/12)
My first Pratt book, Doors of Sleep features capital-T Traveler Zaxony Delatree, who travels to a new universe every time he falls asleep. Seriously, that’s all I needed to hear about this one to want to read it. If that’s not enough for you, there’s also an enemy, the fate of the multiverse, and a talking crystal.
• Fable – by Adrienne Young (1/26 UK)
A title I thoroughly regretted missing in 2020 despite its mixed reviews gets a release in the UK, which allows me to score a review copy. This survival YA features 17-year-old trader Fable in a quest to find her missing father and reclaim her place at the head of his trading empire. There’s some pirates, a desert island, and a good quest—always solid.
• Extraterrestrial – by Avi Loeb (1/26)
The science entry well-known astrophysicist Avi Loeb examines the possibility that the first extrasolar object that we know of to enter our solar system—’Oumuamua, which passed through in 2017—was in fact a sign of extraterrestrial life. Though it’s not a common theory in academia, it is quite the hypothesis, and one that made highly interesting read!
I decided to re-up Audible this year, but had a few credits to use before they expire later this month. Enter a flurry of new books:
• A Rising Man – by Abir Mukherjee
Set during Colonial India, Captain Sam Wyndham arrives in Kolkata to investigate the murder of a senior crown official, whose death comes at a time of rising tensions and dissent between the empire and the colony. Taking him luxurious palaces to seedy opium dens, the mystery will test all of Wyndham’s skill set—and may just prove too much for him altogether.
• Warrior of the Altaii – by Robert Jordan
Meant to be the first in a brand new series, this standalone was published posthumously in 2019. As the plains dry up, Wulfgar of the Altaii must lead his people past dangers, wizards and prophets in order to secure their future.
• Trail of Lightning – by Rebecca Roanhorse
The rise of the sea has wrought an apocalypse but also somehow returned gods and daemons to once more walk the land. Maggie Hoskie is a monster hunter tasked with returning a missing girl to her small town. But the truth behind the girl’s disappearance may well unearth secrets better left buried—particularly those of Maggie herself.
• Great North Road – by Peter F. Hamilton
What do a murdered clone, a convicted killer, and an alien monster have in common? Well, for one, they’re all featured in the blurb for this book. An absolute brick of a tome, this Hamilton novel features an investigator, wormhole tech, and maybe some aliens. It’s a lengthy one—that I’ve had on my TBR for years but has always intimidated me with its sheer size.
• Rhythm of War – by Brandon Sanderson
I’m not even going to introduce this one. It’s self-explanatory. Might take me a bit to get to what with the Stormlight reread and all—but I WILL GET THERE. And I can’t imagine it won’t be worth the wait, but I still kinda want to read it straightaway.
• Made Things – by Adrian Tchaikovsky
Coppelia is a street thief, one very good at making friends. But instead of flesh, some of her friends are made out of wood or steel. Their partnership is sometimes tenuous, but mostly solid. But when a threat threatens (“threat threatens”, yeah I know) their city, these friends must solve it together, or die apart. Not a huge novella fan, but Tchaikovsky is an obvious exception to that.
So, these are the swags for this January/December. As of writing this, the world is… I seriously have no words. I just… I just don’t know anymore. Anyway, lemme know if you’ve read any of these, or if there’re others I should have on my radar. Everyone keep safe and be well!
Well, welcome to the new year! If you were one of those people who were hoping the magic of a fresh year would calm tensions, restore friendships, cure the virus, and cause humanity to come together instead of becoming increasingly divided… well, it didn’t. Honestly, I’d guessed as much, but I was hoping for it still.
2021 begins with a reread of one of my favorite books ever, the Way of Kings. I honestly hadn’t planned on a reread of the Stormlight Archive this year, but my sister changed my mind. Notably, her reluctance to read Oathbringer, Edgedancer or the rest because she doesn’t remember what happened to this point and stubbornly refuses to reread them herself. Therefore I will read them in her stead and recap each part (there are 10) from the first two books—and maybe #3 and the two novellas—and post those here. But since WoK is reeeaaally long, and I’ve other stuff I want to read concurrently, I’ll probably be on it for a while. Oh well; I’d like to complain, but it’s really hard as they’re all SOOO GOOD!
The latest Peter F. Hamilton series features a crashed alien spaceship and the mysterious, surprising cargo it contains. As the wreckage is 89-light-years distant, a special team is dispatched—but it’s going to take them some time to get there. And so, the POVs kinda fracture randomly. Tbh I kinda forgot what this was about until I read the prompt a minute ago, but so far I haven’t minded terribly because it’s still pretty interesting and entertaining.
My science (non-fiction science) read for the quarter examines the interstellar object ‘Oumuamua (yes, that’s a glottal—it’s Hawaiian for “scout”) and explores the theory that it is proof of extraterrestrial life. If you were ever super interested in the universe, astronomy, aliens and math as much as I was, this is actually quite an interesting read. While I don’t agree with all the author’s hypotheses, I’ve been quite enjoying the book so far.
I’ve been a bit tardy on my 2021 TBR but I hope to post it soon. Problem has been I’m not 100% what’s going to be on it yet. I’ve made over a dozen lists so far and while there are mainstays, there’re quite a few wild cards too. In addition to that, my 2020 Christmas and 2021 January book hauls. A few reviews, two ARCs and Where Gods Fear to Go, should be out between now and next weekend—including the Scorpion’s Tail by Preston & Child which will be up tomorrow!
So, be safe, sane, and… something else with an ‘s’. Something that means ‘great’. Let me know if you come up with that, please? Oh, and also if you’ve read any of the above, if there’s something I need to check out instead, or if there’s anything in particular I require on my 2021 TBR. Thank you!
I was kindly provided an advance-copy of the book in exchange for an honest review. Many thanks to Hatchett, Gollancz and NetGalley for the ARC! All opinions are my own.
I often complain about science fiction that’s all fiction and no science, that I like more science with my fiction. Gallowglass certainly tested this. There’s a heavy dose of science in this scifi adventure—some might say too much, others too little.
Jaap van der Veerden lives the life of the ultra-wealthy; all his needs and wants are met instantly, he exists surrounded by servants that he never sees, his parents are even exploring the prospect of eternal life. But Jaap doesn’t share his family’s transhumanism desires. All he wants—all he’s ever wanted—is to live his own life, outside of his family’s influence, outside of the bubble of wealth surrounding him. And so Jaap concocts a plan to escape his family, knowing that even if he does succeed, he’ll be hunted as a fugitive for the rest of his natural life.
But once he escapes, what then?
Jaap (now known as Jack) accepts a berth on the only ship that will take him, the only one that cares nothing for his past nor the reach of his family, a ship and crew he knows nothing about with heading nor mission unknown. But Jack seeks only escape—it doesn’t matter where it is.
That is, until it does.
For when Jack discovers the goal of the expedition is an elusive asteroid, and that the team of misfits he’s joined are all as desperate as he is, he might just come to regret his choices to leave his big, comfy mansion and eternal life within. For there is more than just a big rock at the end of their voyage, but the prospect of death, a million euros, and a second chance.
Gallowglass features some very in-depth science throughout. Not gonna lie—I LOVED this. There’re discussions about plotting and vectors and orbits and math and data and science and… well, at times the repetitive parts of data and plotting do get a little old. But even during those times I loved that the book was so heavily chock full of science. There are a few points where the technology itself is suspect, however. Like, we’re mining and commandeering asteroids. We’ve developed artificial gravity (at least kinda). Diamond tethers and filaments are a thing. And yet the spacesuits are still as fragile as a teddybear in a razorblade factory. Even the tiniest bit of debris can be a death sentence. We’ve developed lines that’ll never break, but not armored any suits? Seems ridiculous to me.
So, for the longest time I thought this story was about Jack. But then, no, it must be a tale of redemption. Oh no wait, it’s about the asteroid. No, maybe it was about Jack. Jack remains the POV throughout, but…
And then by the end… what is this about? (The ending is really lame, FYI.) The official blurb—which I didn’t quote—would have you believe this is a book about climate change. But… it’s really not. There are quotes about climate change at the start of every chapter. These are pretty much worthless (adding nothing nor relating to the story in any way) and I started ignoring a little ways in. They ARE about climate change, at least. Which, for the longest time, nothing else is. Eventually it’s alluded to, but the story never really BECOMES about climate change. It’s only really dwelt on at the end, and by that point I wasn’t sure why I should care about it. I mean, climate change is bad. Okay? It is. Just when it suddenly becomes the all-encompassing reason right at the end—I didn’t buy it.
Then what is Gallowglass about? Well, “gallowglass” would argue that it’s a book about people. About a certain kind of people (a “gallowglass” is mercenary or some special type of soldier) (yes, I had to look it up). And that’s… difficult, as no single person gets any kind of gratifying resolution at the end. So, maybe it’s a book about the gallowglass lifestyle? I mean… maybe, but. During no time when I was actually reading it did I have any real idea of what the focus of the book was.
While I enjoyed the characters of Gallowglass itself—particularly Jack and his arc and the way his character develops—it was the story that really kept me reading. Even when I had NO IDEA what the heck the story was about. Even with my issues with the tech, the pace, the way the story randomly skips ahead at times. Even up through the 99% mark, where the ending was bombing. Even with all this, I do not regret the time I spent reading this. I legitimately and thoroughly enjoyed this book. For Gallowglass, it’s not about the destination—it’s the journey to it that matters. And while that journey may be a immersive, complex and ofttimes directionless masterpiece, it’s still a great read.
I was definitely torn on Gallowglass. It’s an immersive wonder. It features absolutely no resolution for anyone. Jack shows wonderful character development, age, and progression. None of the other characters shine, and few are even memorable. The story is a really good one, considering… I mean, what this book is even about is a matter of constant bother. Even now, I’m not sure. There were times I wanted to stop reading Gallowglass, but never could bring myself to. The destination was a no-show, but I’m still thankful for the journey. It’s not going to get my highest rating, but it still gets a full recommendation.
I was kindly provided an advance-copy of the book in exchange for an honest review. Many thanks to Angry Robot for the ARC! All opinions are my own.
Halvor Cullen was not born but made—grown in a tank until the age of twelve, then trained to fight and kill and die for those that made him, the ACAS. After his seven years of mandatory military service, Hal washed out, as all VATs do. For there he was expected to continue fighting and kill up until he bit it, while trying to fill the void within, mostly with drugs. Instead Hal joined up with his old CO, taking off to salvage the edge of the galaxy for advanced tech.
During one of his layovers in central space, Hal meets Vivian Valjean, a tecker trying to escape her old life and her old mistakes—most recently a man named Noah. Through a series of circumstances, Vivi ends up accompanying the crew on a mission—and the rest is history. But between the discovery of an alien sphere, trouble with the ACAS, and a deadly assassin, possibly the most interesting development is between Hal and Vivi. For what happens when a natural born human and a VAT super-soldier fall in love? I guess we’ll find out—that is, if either of them live long enough.
The Rush’s Edge is the debut novel from author Ginger Smith, part science fiction, part romance with action, adventure, space opera, and cyberpunk elements all thrown in. If this sounds like a lot—that’s because it is. If it sounds too good to be true—again, yeah. The Rush’s Edge tries too hard to be too much, and ultimately topples beneath its own grand desire.
My main problem with the Rush’s Edge, was how it was sold to me. I was sold an epic space adventure with “a little bit of romance, a smudge of aliens, and a whole lot of butt-kicking”. And to be fair—we got all of that. What I expected though, was a complete story. And didn’t necessarily get this.
The Rush’s Edge IS a complete story in the way that The Long Way to a Small, Angry Planet is a complete story. Just where the latter tells you up front that this is a tale of how people become a family with some space-exploration-y elements, the former kinda makes you find that out on your own. Now, if I’d been sold “it’s basically like the Long Way to a Small, Angry Planet”, that’d’ve been great! While Becky Chamber’s first book wasn’t a masterpiece, it was quite a good read. But between wondering if it was setting me up for a sequel or cliffhanger and then reaching the end with none of these questions actually answered… the Rush’s Edge didn’t captivate me in quite the same manner.
The conclusion also drew on quite a few overused clichés, which I really would’ve ditched. And I DO understand that when you’re writing something and decide to throw in a few classic plot twists you never want to think they’re cliché. But sometimes they are. Instead I would’ve liked to see the author try something different—maybe it’d work, maybe it wouldn’t—because, as they say, “nothing ventured, nothing gained” or “you’ll never succeed if you don’t try”.
The POV can change from paragraph to paragraph, so sometimes it’s difficult to tell who is talking/thinking, unless it’s explicitly mentioned. While this does allow the author to include several characters’ perspectives on any situation at almost any time (so long as they’re present), I’ve always found it incredibly frustrating to switch back and forward without knowing exactly when.
It’s really kinda science light fiction. There’re spaceships, yes, but there’s no explanation on how they travel between the stars. Do they use a hyperdrive? Faster than light travel? Wormholes? Instant transmission? We don’t know—it’s not explained, or mentioned. They just leave and… then they’re somewhere else. It must be some kinda faster than light travel, but we’re not told, which is a disappointment. While I realize not every science fiction tale is heavy on science, I would’ve liked to see more—but I’m like that.
Even if the action falls a bit flat, it’s the story that steals the show—specifically the romance between Hal and Vivi. One a natural born human, the other a vat grown super-solider; while it sounds kinda silly, it’s difficult to put into words just how much it’ll pull at your heartstrings. My main problem with the romance is that I don’t really read a book specifically FOR the romance, so when it’s the most entertaining element, there’s probably some things wrong. That being said (again), if this had been pitched as a becoming-a-family, Wayfarers-type story: I’m pretty sure I’d’ve been sold. Just leave off the (and I can’t believe I’m saying this) action-elements, the fights, the mysterious conflicts and battles that I can’t get into without spoilers. The alien presence can stay as it (minor spoilers) isn’t really the focus of the story. The romance isn’t really all that romance-y, even. It’s a bit as if the author didn’t want to sell out on romance, but then sold out on action instead. So now there’s not even enough of a romantic element to carry the story entirely on its own.
While overall I enjoyed the Rush’s Edge, there were definitely some issues with it. But it WAS a debut after all, so some of these an be forgiven. If I was to offer the author some advice: leave off on some of the overused tropes—they don’t add anything. Tell your own story—if it’s a thriller, then go action; if it’s a romance, then go romance. The Rush’s Edge is like a romance that tries to go all in on action—and just fails.
The Rush’s Edge is a debut that blends science fiction with romance, attempting to weave the tale of an unlikely romance between a natural born victimized woman and a vat grown super-soldier. It reads kind of like a Long Way to a Small, Angry Planet—where it’s more about the voyage than the destination, how the ending doesn’t matter as much as how we got there, and the ideals of family, love, and hope steal the show. As a heartwarming romance, it kinda works. As an action-adventure, it doesn’t. The action is overused and the adventure is incomplete. The science fiction is mostly fiction, with just the occasional science cameo. For a debut—it’s okay. Tries too hard to be too many things, play too many hands. Uses far too many cliché tropes. But these are to be expected. I just wish they weren’t.
Scifi Month ARTWORK by Tithi Luadthong from 123RF.com