Short Stories, Fiction, Scifi
Grove Press; September 15, 2020
336 pages (ebook)
3.0 / 5 ✪
I was kindly provided an advance-copy of the book in exchange for an honest review. Many thanks to Grove Press and NetGalley for the ARC! All opinions are my own.
I know it’s not usually my cup of tea, but I read general fiction on occasion. But there’s a reason I mostly stay for science fiction and fantasy. Parts of my younger life were an awkward mess, or ruined by bullies, or anxiety, or MORE anxiety, or whatnot. So while I enjoyed this collection, it reminded me too much of a time where I always sought an escape.
The Awkward Black Man collects the stories of Walter Mosley, an author who’s been telling stories of inner city African American men since before I was born. While I’ve read some of his science fiction, it’s his mysteries that have always drawn my attention. My dad introduced me to Mosley’s books about a decade ago, when he started me on the Easy Rawlins series. While i was never the fan that my father was, I enjoyed some few of Mosley’s books because of the culture that they referenced were so dissimilar to my own.
Most of the narrators are black men (unsurprisingly), and most of them are also awkward. You can glean as much from the title. While Walter Mosley doesn’t shy away from talking about the disparity of racism, neither does he neglect that the bigotry cuts both ways. But while the Awkward Black Man isn’t about race, but it’s also not not about race. Prejudice colors the undercurrents of many of the tales. While sometimes it’s overt, other times it’s casual. It was always depressing.
Mostly these are just stories about life. Not how to live, nor how not to live. Mostly just how to be human. The characters within are entirely human (save the science fiction), which is probably the best thing I can say about the book itself. It paints a realistic picture of life—one that could be anyone’s life, and might as well be.
Several of these stories were just depressing, though. Some even seemed pointless. Rufus and Frank both appeared multiple times, enough that I learned that I didn’t want their lives, even though they proved to be equal parts entertaining, exciting, depressing and super, super awkward. Another thing to note is that I’ve never been a fan of the author’s science fiction—mostly it seems too far out there, too unrealistic, even silly—and the few scifi reads within didn’t disprove this.
My favorite stories were: Almost Alyce, where a man’s life spirals out from under him, but he does his best to claw it back, while staying true to himself. Between Storms, when a disaster strikes, a man’s life takes an unexpected turn, but when it is pulled from the ashes, he must decide whether or not to own up to the fear that led him to the brink. Local Hero, about a boy who always idolized his cousin, and what happened when that idol was laid low. Reply to a Dead Man, which reminded me of several different movies, and yet fit none of them precisely.
The Awkward Black Man paints a realistic picture of life—be it through the eyes of an old, black man, dying in his bed; a young, white woman who is shallow but not awful; a young, black man that has the life he’s always wanted, even if it isn’t his own; and many more. There exists racism within, yes, but it’s a double-edged sword, one that proves horrid no matter which end you’re on. Walter Mosley has never shied away from the awkwardness of race—and why would he start now? But while some of these stories center around racism, few of them are defined by it. Some are depressing for the racism within. A lot are just depressing. Others are ridiculous. Some are even pointless. But most are at least humanizing. At the end of the day, these are stories about people being people. A decent read—even if several of them are really depressing.