The Violet Wars #1
Scifi, Dystopian, Aliens
Orbit Books; July 24, 2018
317 pages (paperback)
7 / 10 ✪
Peter Pan meets Independence Day in Annex, where aliens isolate a small city and attach clamps to the necks of all adults over the age of 16, essentially turning them into zombies—called “wasters” by the Lost Boys that still run the streets. But few of these waifs remain free. The rest of the children have been rounded up and collected into warehouses, where they are implanted with parasites and kept drugged, waiting for whatever nefarious plan the new overlords have in mind.
When Bo escapes from the warehouses, he wants nothing more than to reunite with his sister. Instead, he finds the Lost Boys—or rather they find him.
Violet—a transgender girl—is our main link to the group, led by influential Wyatt and his followers. Unlike Bo, Violet isn’t disappointed the world ended. In fact, she feels liberated. The world ending changed her life—but for the better. And she’s never going back. In this new world she does what she wants, when she wants, as the person who she wants to be. And yet her struggle isn’t complete. There’s still something for Violet out there—and her path to it leads through Bo.
And so these two and the Lost Boys must confront the apocalypse before it’s too late, and before the aliens complete whatever it is they’re up to.
So what do I have to say about the aliens, about the characters, about the world? Not much, to be honest. Other than Violet and Bo they’re pretty much a wash. Wyatt and Bree are the only other characters of note, and both of them are chaotic—though in different ways. Though as the two leads define sooo much of the story, essentially they’re everything important about it. Which is both good and bad. On one hand it’s disappointing that the characters suffer so much of a drop-off from primary to secondary, but on the other, at least the important characters have their shit together. The world and the lore are both equally disappointing. Neither do we know or discover much about throughout the entire story.
Luckily the story itself was entertaining. A no-nonsense plot about alien invaders and the fate of the world, science and action, atmospheric tension and subtle horror—I mean, there’s not a whole lot to complain about. Or analyze. Or… write more words for.
There are a few holes in the world-building that does exist: such as the electricity being out for months though the characters constantly seem to forget it and expect something different. And I really hate the: “it was just a few days, but felt like a lifetime ago”. It’s overused and ridiculous.
Annex is an entertaining read, if a bit of a far-fetched one. Full of action and mystery, deep lead characters, an engaging plot and interesting story—the book is one that certainly starts out on the right foot. But a flawed premise, one-sided secondary characters, and more than a few missteps along the way slow it up. Annex is definitely an example of world-building in a bubble, as the known-world is very much trapped in a bubble. While this can heighten the suspense, it also limits the scope and weight of the story. And as little is ever revealed about the world outside our little bubble of reality, the mystery and suspense can only deliver for so long. When the end comes, it brings with it a sense of fulfillment of the plot and character arcs, but little of the fate of the world itself. All because the world never much seemed in danger—only a piece of it did. All in all, I’d definitely say that the good outweighs the bad and recommend this for anyone who’s a fan of dystopian or young adult, alien invasions or science fiction—particularly where deep issues exceed particularly deep scientific lore or world-building.