Dark Fantasy, Horror, Fantasy
Createspace Publishing; October 17, 2017
286 pages (ebook)
4.2 / 5 ✪
When Arturo was a small child, his mother used to tell him stories of the Mistress of the Wilds, of the Black Shepherdess, but especially of the Bravadori of Espadapan. The Bravadori were painted as the Queen’s heroes, protectors of the weak and innocent, saviors of the helpless, monster slayers extraordinaire. As he grew, Arturo always dreamt of becoming one of their number. Occasionally, Bravadori traveled to his father’s estates in search of coin and renown. Upon seeing them, Arturo knew his path was set. He trained hard and dreamed big, until one day he developed his very own Knack in sword-fighting. One day he was finally ready. Packing his blade and mask, Arturo set out for the City of Swords—and destiny.
Yet upon finally reaching Espadapan, Arturo learns that his heroes are nothing like the heroes his mother painted them as. Selfish and ignoble, the masked vigilantes are nothing more than thugs, running unchecked through the city. Unwilling to give up his dream so easily, still Arturo attempts to join their ranks. He is repeatedly mugged, mocked, and beaten. But when he hears tell of bandits terrorizing a nearby village, hope swells in Arturo. For while these swordsmen were nothing like he’d imagined, surely they would line up to defend those oppressed, like he’d seen them do as a boy. And Arturo would finally join their number, defeat the bandits and forge his own legend. Together with a disgraced Bravador and an honorless swordsman, Arturo sets out once more—for destiny.
Benedict Patrick’s Yarnsworld mixes dark fantasy with faerie tales, adding a splash of horror for taste, and adventure for the heck of it. While his debut—They Mostly Come Out At Night—divided me on its effectiveness at combining all four, I assumed that with experience and practice he could hammer out most of those imperfections.
Which he has.
Sadly, it’s not yet perfect, but still a marked improvement upon his earlier work. The POV characters of City of Swords—split three ways between Arturo, Yizel and Reuben—each could solo the story, as all three are strong, fleshed out leads, with depth, backstories, and even development. Unlike Come Out At Night, these characters delivered. Thoughtful, entertaining, and ambitious, I was never sure who was on whom’s side, as each showed mixed loyalties and complex emotions. They felt human in a way that no one did in Yarnsworld #1.
As before, the faerie tales play as interludes between each chapter, something that both entertained and annoyed me in equal parts. Sometimes it was an extra bit of vital lore, but other times it was a distraction from the plot at hand. While most of the time I appreciated the extra bits of world-building, I really could’ve done without them between EVERY chapter.
While the format annoyed me, the aspect of was most torn on was that of the world-building. The initial setup—the land and its backstory—was just lazy. It’s a carbon-copy of the New World exploration by Spain (or, well, most European powers), complete with Spanish-sounding names and places. That being said, the New World is just a backdrop for the tale. While the faerie tales bring the world to life. Admittedly, I’m not too well versed in faerie tales. I’m familiar with some of the most popular ones, and have a working knowledge of folklore from all over the place. Anyway, these tales seem pretty unique to me. And they really help bring the story to life.
I was caught up picturing the masked Bravadori when Arturo first arrived in the City of Swords, and felt his disappointment as if it were my own. I actually shook upon reading through the Black Shepherdess tale, and she haunted my dreams that night. I could hear her wails, her cries; feel the ash as it fell from the sky; the world itself seemed to grow darker when she blacked out the sky. These faerie tales aren’t just good reproductions, they’re incredibly raw and vivid, dark and haunting and… well, REAL. They feel real. Really real.
Those Brave, Foolish Souls from the City of Swords may be a mouthful, but the where the title draws on, the story itself manages to be gripping, dark, and packed with detail. The number one strength of Yarnsworld continues to be its faerie tales, which alternately had me awed or shaking depending on which terrible or heroic figure was being portrayed. Where They Mostly Come Out At Night fell flat, City of Swords delivered with its characters, its language, and its realism. Though the format of including a faerie tale between every chapter ofttimes annoyed me, I also usually appreciated the dark, interesting snippets of lore they provided. It’s a good, dark read just in time for Halloween. More importantly, City of Swords tells a completely different tale from any of the others found in Yarnsworld, so there’s no reason you can’t just skip right to it. I’d definitely recommend this one, and look forward to continuing my trip through the Yarnsworld saga!